After finding out that her partner has been unfaithful, Samantha Hollings leaves Los Angeles to take over a disused opel mine in Australia which she has inherited from her late father. Two men seek her attentions, one pressuring her to sell the apparently worked-out mine and the other suspicious about the company’s motives for wanting to sell.
rarefilmm | The Cave of Forgotten Films Posts
Almost a decade before Imamura’s Vengeance Is Mine, Shindo crafted this fascinating documentary-inspired portrait of a serial killer that drew upon the actual events of a troubled nineteen-year old who went on a murderous rampage, killing four people with a pistol stolen from an US navel base. Shindo’s meticulous research into the background of the anti-social youth, including extensive interviews with his mother and acquaintances, brings a rare authenticity of unexpected detail to a film that also reads as an astute critique of American imperialism and reckless tabloid journalism.
This film concentrates on a group of people who have trouble adjusting to mainstream society. From a woman running away from her previous life, to a man with a terminal disease, to a pop artist misunderstood by his contemporaries, the film looks on with sympathy and compassionate humor on a set of people who, for whatever reason, just don’t fit in.
Shot on 35mm, “Arabesques on the Pirosmani Theme” is an original view of the naive work of the Georgian painter Niko Pirosmanichvili, commonly called Pirosmani. By a series of short scenes, played and composed on his paintings, the Armenian director Sergei Paradjanov (originally: Sargis Hovsepi Paradjanian) glorifies the life and work of the most famous Georgian artist.
A troubled romance set against the backdrop of thepolitically-inspired riots that swept Hong Kong in 1967. The central couple are neighbors in a Kowloon City tenement, situated right under the flight path into Hong Kong’s airport. He drives an unlicensed taxi, she is a go-getting movie actress. Just as they begin to realize how much they need each other, the riots tear them apart.
Boy discovers how to dream travel. Only in this senerio he appears in real life at the location of his dreams while his “other” body lies in bed. He then teaches his girlfriend how to dream travel and together they share the adventures of their dreams.
A defected KGB agent will deliver a floppy disk with important information to the CIA. During the mission he is killed and the floppy disk gets into the hands of Michael LeWinter.
Parking is director Jacques Demy’s homage to Jean Cocteau’s 1948 masterwork Orpheus. As in the Cocteau film, Demy relates the Orpheus and Euridyce legend in a contemporary setting. Now a rock ‘n’ roll sensation (instead of the poet of the Cocteau film) Orpheus falls in love with Eurydice, who in this version is a sculptress rather than a princess. The rest of the film adheres to the familiar story. Euridyce, who is death personified, beckons Orpheus into Hell, ostensibly to revive his dead lover. A shade brighter and more buoyant than its source material, Parking is the usual Jacques Demy brew of beautiful imagery and hokey dialogue.