In this extremely funny satire on Soviet bureaucracy, the protagonist, a hapless author, attempts again and again to get his editors to accept his manuscript — a novel with the title “Blue Mountains or Tieshan.” The story unfolds with the inevitability of a fairy tale in which a naive hero is painfully being initiated into the ways of the world, and while the would-be author wanders through the hallways of his publishers, we in turn learn a lot about the crumbling Soviet system and the inactivity of its bureaucratic functionaries. By Hollywood standards, the film may be slow and repetitive, but it is precisely the repetition of tragicomic situations that bring the film to the heights of a Beckettian absurdity.
Category: Comedy
When a naïve young man and his lazy best friend attempt to rob a bank, they find another robber has beaten them to the punch. After the original robber and the best friend are killed, the young man serendipitously gets the 80 million yen. But when he accidentally stabs an innocent hairdresser, a cause-and-effect situation quickly spirals out of control. Meanwhile, a trio of yakuzas mistakenly kills a powerful mob boss. As their paths continue to cross, the story displays some interesting parallels about just-out-of-reach redemption and the unlikelihood of atoning for one’s sins, all delivered in a black comedy package.
A teen genius (Ari Meyers) escapes from a teen think tank with the plans for a secret weapon. On the run, she stows aboard a truck driven by two slow-witted brothers (Peter and David Paul) who are transporting toxic waste across the country. Martin Mull also appears as the mentor of the think tank, Claudia Christian is the school’s psychologist, and David Carradine is a repo man.
Factions of French and Portuguese face off in an attempt to colonize Brazil. A Frenchman is held captive by a tribe allied with the French that, despite the insistence of the man that he is French, mistakenly believes him to be Portuguese. The brother of the tribe’s chief was murdered by the Portuguese, and the tribe intends to eat the Frenchman as revenge. The man is given a wife and made to assimilate into the tribe, even with his impending demise.
Luciano Persichetti is hypersensitive and convinced that he has paranormal powers. Susanna, a parapsychology student with whom he is in love, tries to help him interpret the paranormal warning messages he is receiving. When Luciano turns out to be haunted by a mysterious killer who calls himself “The Guardian Angel”, Susanna discovers that Luciano’s paranormal powers are not real at all.
Elmo Bunn is an L.A. pizza delivery man with a reputation for never having delivered a cold pizza or being stiffed on a bill. When a call comes into his shop for an extra-large with sausage and anchovies to go to a dangerous part of East Hollywood, Elmo knows he’s in for trouble.
Melvin Van Peebles, director of the landmark independent film Sweet Sweetback’s Baadasssss Song, embraces the new age of digital filmmaking with his picaresque comedy, shot using DV equipment and taking full advantage of its creative possibilities. Van Peebles plays a fanciful version of himself, growing tired of life at home when he’s only ten years old and deciding he’d rather see the world than read about it in books or hear about it from his mother. Melvin runs away from home and hitches a ride from a friendly truck driver, but things take an unexpected turn when gangsters kill the trucker and the boy is tossed into the river with just an inner-tube for company.
This impressionist film is set in the period of “sweet peace”, at the turn of the century. Jeno Kelepei, a bohemain student, decides to move into Mutter’s brothel after a dissipated night, for food and accomodation. When the young man’s anxious mother arrives unexpectedly from the countryside, the Mutter quickly transforms the house into a boarding house for damsels.