The toys in the playroom of the Jones household magically come to life when their owners aren’t looking. On Christmas Eve, as the toys eagerly await the arrival of a new toy, Rugby the tiger plots to make sure he remains the favorite toy.
Category: Fantasy
Taafé fanga is the film version of a Mali folk tale. The well-known griot Sidiki Diabaté is our guide through the cliff rocks of Bandiagara and through the past of the Dogon people. When the Albarga, the mask of the local spirits and also symbol of power, falls into the hands of the young woman Yayémé, this causes chaos in Yanda. The women exchange their skirts for the trousers of the men. Is it a curse? A divine punishment? The women take over power, but will the new order be able to resist all its inherent contradictions?
Alice, a mild-mannered librarian, has a bizarre secret: once a month she turns into a werewolf. Struggling with her affliction, she becomes involved in a strange triangle between her analyst and another man who may be the key to salvation.
Brulard, a French civil engineer on assignment in a remote Swedish village, meets Ina, who has been raised in forested isolation by her haggish mother and believes herself to be a witch. He falls in love with her and tries to convert her to civilization; but in the meantime, his female boss, Kristina, has fallen in love with him, while the villagers turn against him for consorting with someone they believe is cursed by the Devil.
When Nicole, a young copy-shop employee, is hired to translate an ancient Chinese manuscript, she soon finds that the document has strange powers that little by little begin to exert an eerie influence over her life.
A fencing master in pre-revolution Spain is hired to teach fencing to a beautiful young woman. Although he has never taught a woman before, he is fascinated by her and agrees. She wishes to learn a particular thrust which he is famous for. When a local nobleman becomes involved with her the intrigue begins.
Separated from his wife Catherine, Jean Diaz, a writer and filmmaker, lives alone with his young son, David. As they set off on their holidays, Jean and David are victims of a car crash which has been arranged by Death herself. The latter offers Jean a strange proposition: his son will be returned to life providing he, Jean, makes an animated film which denounces the violence of the past century. Jean realises too late that Death intends to use the film to bring about the destruction of mankind. His only hope of saving the world is to find the passage through which one passes from life to death…
Brocani conjures together all your favourite European cultural and historical myth figures in order to attack the centuries of ‘sublimation’ that have produced our cities and their inhabitants. The gang’s all here: Frankenstein’s monster gropes towards the awareness that his mind is a universe; Attila, naked on a white horse, liberates his people from their ignominy; the ultra-caustic Viva bemoans the frustrations of married life and drifts into the elegiac persona of the Bloody Countess Bathory; Louis Waldon is a hip American tourist searching for the (missing) Mona Lisa. The range is extraordinary, from stand-up Jewish comedy to a kind of flea-market expressionism. Brocani’s approach is contemplative rather than agitational, which confounds the impatient; Gavin Bryars’ lovely Terry Riley-esque score matches the ambience exactly.