Francis and Blake Falls are Siamese twins who live in a neat little room in a rundown hotel. While sharing some organs, Blake is always fit and Francis is very sickly. Into their world comes a young lady, who turns their world upside down. She gets involved with Blake, and convinces the two to attend a Halloween party, where they can pass themselves off as wearing a costume. Eventually Francis becomes really ill, and they have to be separated.
TV adaptation of Bruce Jay Friedman’s off-Broadway play. Tandy, Merideth and assorted others unexpectedly wake up in a steambath with no easy exit. After spending some time there, it becomes clear that the steambath is a sort of Afterlife, where indifferent souls come to tell their stories to God who happens to be the attendant picking up the towels.
Maria learns that her aunt Oriana has died and willed her a crumbling and remote Venezuelan hacienda where Maria spent a short time as a girl just entering puberty. Maria goes to the hacienda to prepare the place for sale; while going through her aunt’s papers, she recalls her visit years’ before. In flashbacks, we see the young Maria trying to sort out why Oriana never leaves the hacienda, what secret may be in Oriana’s past, and who the mysterious Sergio was. The young Maria, as she learns things, imagines her aunt’s youth, cruel father, and first love. After these reveries within reveries, Maria, now a grown woman, makes one more discovery.
The titular Marie-Louise is a young French lass who is evacuated to Switzerland when her country is overrun by the Nazis. Suffering a nervous breakdown, she is given comfort and shelter by a wealthy family. Unfortunately, living in the lap of luxury makes Marie-Louise hesitant to return home to her mother and war torn home. Eventually the girl comes to her senses, but it isn’t easy.
When it was released in 1950, The Sinner inspired vigorous protests and caused huge controversy for a film industry just getting back on its feet. Its tale of a young woman who survives as a prostitute after the war and later falls in love with a dying artist shocked conservatives and religious authorities. A popular actor and director of comedies since the 1920s, director Forst, in his first postwar movie, reveals a considerable feeling for melodrama. His narration proceeds without any sensationalism, and the theme of a great, ill-fated love is skillfully developed through the unfolding memories of the woman.
Never released in America, Petri’s second feature displays the same evocative mix of realism and symbolism found in THE LADY KILLER OF ROME. The film stars Salvo Randone as Cesare, a lonely Roman plumber in his early fifties. Traveling by tram one day, he witnesses the sudden death, by heart attack, of a man his own age. The event shocks him into the realization that his own days might be numbered, and he becomes determined to make the most of the time he has left. Quitting his job, he sets out with enthusiasm to enjoy the finer things in life, but the effort only leaves him dispirited and disillusioned.
Alexandre, a TV reporter, is working for a few days in a border town, where a lot of refugees from Albania, Turkey and Kurdistan are packed in. Among them, he notices an old man and thinks he is an important Greek politician who disappeared mysteriously a few years ago. Back in Athens, he asks this politician’s former wife to come and identify him. A slow and dry meditation about the inhumanity of borders.
A tribute to graffiti art and the city where it all began. Blest, a 19-year-old graffiti writer, has just graduated from high school. With no ambition toward mainstream goals of work and family, he spends his time bombing the city with graffiti messages until he and his crew become the most wanted bombers by the corrupt NYPD Vandal Squad. He even attracts major media and gallery attention for his tags. As they fight with their spray cans and their tags, Blest meets a political activist, Alexandra. Soon after, Blest’s relationship with Buk 50 and the crew fragments as Blest ponders his position in life.