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Sial IV is a French TV miniseries by Greek filmmaker and writer Adonis Kyrou, adapted from the speculative fiction novel Deadly Image (AKA The Uncertain Midnight) by British author Edmund Cooper. It tells the story of Denis Lange, a fallout shelter engineer who is accidentally trapped in suspended animation as war breaks out in 1970, only to awaken in the early 2100s in Sial IV, an underground city in which humankind lives a life of leisure, having discharged all responsibility to androids. Assigned the android Diana as his personal assistant, Denis ventures through this unsettling idyll, eventually finding a small but tenacious group of resistors who seek to uncover the truth about the compound and its ruler, the mysterious Machiavelli.
Category: Sci-Fi
In this off-beat sci-fi film, an outspoken diplomat is murdered during an international trade conference. This is a terrible blow for his native country because the ambassador had come to stop his country from signing a treaty that would allow their enemy to exploit them. To prevent this from happening, a helpful scientist offers to temporarily revive the diplomat–the catch is that the ambassador can only remain resuscitated for six hours.
A humorous and satirical comedy, which places a man from the year 2222 one day in the (then) present day life in GDR, East Germany under Communist regime. Using a crystal for mind reading he uncovers some improprieties and moral weaknesses in the “Beautiful future” professed by VEB (“Volkseigener Betrieb” – “State Owned Holdings”).
Alex Cox (REPO MAN) directed this stylized adaptation of Jorge Luis Borges labyrinthine detective story about a totalitarian city of the future plagued by a rash of bizarre crimes. Peter Boyle stars as Lonnrot, a decidedly even headed detective prone to philosophizing and Christopher Eccleston is his nemesis, Red Scarlach, whom Lonnrot believes could be behind these ritualistic crimes. Set in a surreal landscape that provokes Lonnrot’s philosophical musings and leads him through mystical cabals and conspiracies within conspiracies, DEATH AND THE COMPASS is a remarkable adaptation of Borges’ story, and a fascinating, often exhilarating film.
This Hungarian black comedy is set at a very special fantasy park that allows visitors to play organized war games. It proves to be a very popular attraction amongst the bored tourists until they suddenly realize that they are shooting real bullets. The authorities quickly close the park, but then recruits its director to begin using it to train real troops.
Petra Going is a migrant cyborg, an agent of the Global Nomad Project: an international “Experience Data Agency” which sends hundreds of “receivers” like her to wander the globe and record a succession of random encounters. Periodically, they return to agency headquarters where they deposit their accumulated memories into an archive. This archive is available to users who then vicariously and virtually inhabit the ready-made landscapes of touristic consciousness. The motto of the GNP: “Nostalgia For Rent.”
A patient escapes from a lunatic asylum and runs into a woman being chased by an apparently indestructible maniacal cackling goon who works for a mysterious mobster. He decides to help her, but nothing is what it seems. Not even the past.
Komori Tiaki is a budding tennis student, however one day in training her coach hits the ball into her eye accidentally. She is taken to hospital but it advised that she will never regain the sight in her eye. Her coach knows of a mysterious doctor ‘Blackjack’ who lives in a secluded house, who might be able to help. ‘Blackjack’ agrees to do the operation, but for a ‘substantial reward’!