On the highway of life, Jerry’s at a dead-end. Unemployed and still living at home with his parents, this thirty-three year old loser has no drive to better his life. That’s all about to change. A fateful drug deal gone bad transforms Jerry overnight into the cop’s number one murder suspect and the mob’s primary target. With a sack full of drugs and a budding romance at stake, Jerry could get a life… or lose it. Either way, it will be the ride of his life.
Author: Jon W.
This drama about the Carmelite order of nuns is set during the French Revolution. A young woman seeks refuge with the Carmelites because she is terrified of dying during the upheaval. The longer she associates with the nuns the more she is transformed by their faith and devotion.
Hosts Alan Alda and Marlo Thomas trace the evolution of the roles and lives of women in the twentieth century. Examines the conflicting advice given to American women from generation to generation by the clergy, government, doctors, media and society, and shows how women’s lives have been changed by the efforts of women who fought for women’s rights. Includes newsreel footage, stills, radio and television footage, cartoons, and period music.
While on his way to work one morning, a man looks out the window of the train and sees a young woman being murdered. When he investigates the crime, he discovers a foul-tempered illusionist, Zoltini, who has a turbulent relationship with his young wife Vivienne.
Revolutionary French New Wave director Jean-Luc Godard conducts a twenty-five minute interview with influential and acclaimed American director Woody Allen on the cultural radiation, the ubiquity and significance of television, and how television compares with cinema as a medium and form of expression.
Jo is a creative girl bound for art school who enjoys practicing her skills by reproducing famous paintings by Vincent van Gogh. While she’s working on one such picture in public, a stranger purchases some of her pieces. Initially overjoyed, Jo becomes distraught when she realizes her artwork is making millions on the black market. As Jo and her best pal, Felix, try to track down the pictures, they get some supernatural help from Van Gogh’s ghost.
Krzysztof Kieślowski unmasks the prototype of the informer and opportunist (in a totalitarian society) exclusively from the latter’s own perspective. Even the commentary is by the ambivalent protagonist. Kieślowski later kept the film under lock and key in order not to harm his protagonist.
A group of children use a cabin as the meeting place where they gather to sing. When the owner of the place has financial difficulties and thinks of selling it, the friends will devise a way to earn money: they will dye the surrounding sheep in different colors and try to sell the wool as if it were a natural product.