Category: Drama

February 4, 2026 / Drama

A deliciously perverse rendition of Madame Bovary, The Stationmaster’s Wife is one of Fassbinder’s most entertaining films. Set in a small Bavarian town in pre-Hitler Germany, the film features Kurt Raab as the Stationmaster Bolwieser, a man sexually enslaved by his beautiful wife Hanni, a woman of uncontrollable passion. Soon bored with both her husband and life at the train station, Hanni embarks on a series of adulterous affairs, while the deluded Bolwieser grows progressively sullen and glum. The Stationmaster’s Wife is a haunting exploration of desire and betrayal, with a radiantly lusty performance by Elisabeth Trissenaar.

February 3, 2026 / Biography
February 3, 2026 / Comedy
January 31, 2026 / Arthouse
January 31, 2026 / Drama
January 31, 2026 / Arthouse

Beshkempir takes its title from the name of the boy whose story it tells. His life is sunny and carefree, spent in childhood games, until the day he hears terrible news from his playmates: he is not his parents’ biological child. Overnight, his best friend becomes his rival and the young girl of his dreams starts going bicycling with somebody else. His pleasant and peaceful existence is over: if his parents are not his own, Beshkempir feels he has lost his whole identity. He tries to gradually overcome the problems that arise from this new situation. Aktan Abdykalykov’s first feature was also the first independent film to be produced and directed in Kyrgyzstan.

January 30, 2026 / Drama

The story focuses on an ambitious young executive, Amanda, who inherits a lovely B&B on a remote island in Maine when her grandmother dies. She arrives with every intent of selling it all off and going back to her busy career, but in going through her grandmother’s belongings, she discovers much about her family’s past which ultimately makes her re-evaluate her life and values. Amanda is faced with making right decisions amidst trying circumstances. 

January 30, 2026 / Biography

In 1939, Charlotte Salomon leaves Berlin to seek refuge at her grandparents’ villa in the south of France. A little later, war breaks out, and Charlotte must, besides forgetting all she left behind, deal with her grandmother’s depression, and her mother’s suicide. To fight despair, Charlotte starts to paint, producing over one thousand images. “Is my life real, or is it theater?” This is the title she gives her body of work, which highlights her former life in Berlin. She finds herself though her art, but in 1943 is deported to Germany and Auschwitz.