Mathieu Grégoire is an esteemed author who lives in Spa with his wife and daughter and leads a carefully structured life. One day, while out in the desolate landscape of the High Fens he meets a mysterious woman whom he calls ‘Belle’. An obsessive passion is kindled in Mathieu and in a short space of time he loses all control over his existence.
Category: Arthouse
Jean’s solitary existence strangling women along the path of the Tour de France is upended when the troubled Claire finds herself hopelessly drawn to him. Grandrieux operates the camera himself shooting in low-light environments, offering an alien vision of the French countryside stuck in a state of perpetual dusk. SOMBRE announced Grandrieux as a singular voice in the New French Extremity movement, with its fearless gaze into the intersection of desire and death.
Betrayal is set in Bergen in the year 1948. The film’s protagonist is the seven-year-old Kamilla, who grows up in a society under reconstruction, and in a family in disintegration. Her parents are mostly concerned about money and about themselves, but in her friend Svein Kamilla finds the love and solidarity that she is missing.
Set against the urban backdrop of 1970s Buenos Aires, this experimental adaptation transplants Alice in Wonderland into the real world. Alice’s pursuit of the White Rabbit unfolds as a surreal drift through city spaces, where the familiar becomes strange and fantasy quietly overtakes reality.
Maren, a young girl, is the sole survivor of the Black Death in her Norwegian village. Using instincts, folklore, luck, and the clairvoyant powers granted her by being born with a “Victory Cap,” Maren survives on her own, waiting for other people to discover her plight. Painstaking recreations of medieval customs and settings dominate the film.
Beshkempir takes its title from the name of the boy whose story it tells. His life is sunny and carefree, spent in childhood games, until the day he hears terrible news from his playmates: he is not his parents’ biological child. Overnight, his best friend becomes his rival and the young girl of his dreams starts going bicycling with somebody else. His pleasant and peaceful existence is over: if his parents are not his own, Beshkempir feels he has lost his whole identity. He tries to gradually overcome the problems that arise from this new situation. Aktan Abdykalykov’s first feature was also the first independent film to be produced and directed in Kyrgyzstan.
With a playful associative montage, Parajanov offers an overview of portrait paintings by Hakob Hovnatanyan, the “Raphael of Tiflis.” Combining sights and sounds from both Hovnatanyan’s paintings and 19th century Tbilisi, Parajanov’s short documentary can be seen as a direct precursor to The Color of Pomegranates (1969).
This surreal, allegorical short film by Agustí Villaronga follows a young woman by the sea who encounters a mysterious red creature that reveals hidden secrets of the ocean. The encounter transforms her, granting uncanny, almost sorcerous powers. Drawing on Christian symbolism and pagan ritual, the film unfolds as a dreamlike meditation on feminine transformation and elemental forces, heightened by Carl Orff’s music.