In A Hole in the Soul, director Dusan Makavejev’s free-form, autobiographical meditation on the nature of a place combines aspects of both physical place (the former Yugoslavia) and mental place (the cinematic avant-garde). Makavejev mixes styles and genres in order to explore his sense of himself and his physical environment. Makavejev’s bold contribution to BBC Scotland’s acclaimed TV series The Director’s Place allows audiences a highly personal look at the director as he explores his own hole in the soul.
Category: Documentary
A controversial documentary screened in the official competition at the Cannes Festival. It depicts a hypnosis session in which participants, under its influence, inflict pain on themselves and others. The film addresses important themes such as manipulation, abuse of power, and collective obedience, provoking strong reactions from audiences and critics.
A documentary, almost silent depiction of a meeting between a woman and a worker on a bridge — this intimate ritual without dialogue is interpreted as a symbol of love, hope, and human encounter in a minimalist representation.
Mystical, ephemeral and nearly lost to time, alchemy was a “magical theory of nature” widely held in pre-Enlightenment Europe. Author Terence McKenna portrays John Dee, court magician to Queen Elizabeth I, in this history of the discipline. McKenna discusses the role of the science as he travels to key sites in alchemic lore throughout Eastern Europe, including Heidelberg, home to the world’s only contemporary alchemy lab.
Palestinian women, the often-forgotten victims of the Israeli-Palestinian war, are here given a voice by Jocelyne Saab. The film was commissioned by Antenne 2 (France), but it was censured while still in the editing stage and never shown.
1976 marks the beginning of Beirut’s calvary. With a child’s eyes the filmmaker follows for six months the daily destruction of the city’s walls. Every morning, between 6 and 10am she roams around Beirut while the militia from both sides rest from their night of fighting.
The documentary, filmed during ethnographic field research, shows three portraits of ‘ordinary’ personalities — Mala, a young weaver sharing a one-bedroom house with nine siblings; Santa Cruz, once a fishtrader and now a healer and magician; and Muthiah, a videographer of upper class weddings — living in a neighbourhood in Nagercoil, a south Indian town. The aim of the video is to show the persons not as representatives of homogeneous masses, but to acknowledge them as individuals who nurse their own specific worries and strategies in a changing world. The protagonists thus themselves comment about their own lives and actions.
The long and flamboyant career of the French filmmaker is depicted in Abel Gance: The Charm of Dynamite, a documentary created for the BBC by film historian and Abel Gance scholar Kevin Brownlow. A Blue Ribbon winner at the American Film Festival of 1976, this documentary, along with Brownlow’s history of silent film The Parade’s Gone By and his restoration of Gance’s 1927 Napoleon, was instrumental in bringing Gance’s cinematic genius to a new generation of film enthusiasts.