Jazz singer and writer George Melly takes a nostalgic trip through front rooms and backstreets as he reminiscences about the influence of Dada and Surrealism on his early life.
Category: Documentary
Film director, theatre director, and opera director. The multi-talented Luchino Visconti is interviewed on this special to reflect upon his views on each of those art forms and he approaches each of them. Also features interviews with collaborators such as Vittorio de Sica, Leonardo Bernstein and Maria Callas.
Part documentary, part expose, this film follows one-time child evangelist Marjoe Gortner on the “church tent” Revivalist circuit, commenting on the showmanship of Evangelism and “the religion business”, prior to the start of “televangelism”.
A plastic puzzle of 16 parts, made in Finland: UFO, uterus, butterfly, playhouse. This prefabricated building, to be placed on the top of the mountains or the African coast, represented the dreamy future the humankind was about to enter in 1968. The story of the rise and fall of Futuro is the story of the idea of a future man, the idea which emerges and disperses.
Trümpi is a road movie that follows Jew’s harp virtuoso Anton Bruhin on a musical journey from Zurich and the Swiss Alps to Siberia and Tokyo. Accompanied by the distinctive sound of his trümpi (the Swiss-German word for Jew’s harp), Bruhin explores musical traditions ranging from folk to avant-garde, bridging cultures between town and country, East and West.
The elderly Veronika who lives alone has two resolves. The first is to collect sufficient money through her own labour, to be able to visit her only living relative, her son, in London. The second is to start cultivating her long-neglected vineyard. The lady, who has suffered greatly over the years, works with stubborn will and quiet serenity to achieve the goals she has set herself. Imre Gyöngyössy and Barna Kabay’s lyrical, documentary-style film received numerous awards at international film festivals.
Three young people leave the psychiatric hospital to lead a “normal life” while working in the factory. They confide in their future prospects. In 1968, alarmed by the catastrophic state of public psychiatry in Italy, the communist municipality of Parma entrusted Mario Tommasini, a former gas worker, with the management of the mental health sector and its reorganization in a revolutionary fashion. This political initiative, inspired by Franco Basaglia, critic of the asylum institution and the origin of psychiatry outside the walls, marked the beginning of a vast undertaking of social integration of patients.
Acclaimed New York filmmaker Alan Berliner took on his reclusive father as the reluctant subject of this poignant documentary, and what emerged was this cinematic biography that finds both humor and pathos in the swirl of conflicts and affections that bind father and son. Berliner weaves together archival footage and interviews with relatives in his quest to understand this complex and troubled character. Ultimately, Nobody’s Business serves as a meeting of the minds, where generations collide and the boundaries of family relationships are pushed to the brink.