Walk down a lane continuously. The film tries to destroy time by the cyclical reworking of a short period of time. Gradually the image becomes less discernible and the flashing positive and negative images force the viewer to stare rather than looking at the film. As the film progresses the viewer becomes trapped in a short period of time.
In voice-over Eric M Nilsson discusses the choices people involved in the creation of films make, their attempts to create meaning and what the future may hold for the medium and its roll in society. The filmmaker juxtaposes a range of still and moving images, often in humorous ways, in this self-reflecting short film: “Making these images adds up to a total cost of 274 SEK per second, this regardless of quality”. The film was made as a part of the project ‘Sverige 80’, initiated by the Swedish Film Institute, aimed at supporting the creation of high-quality short films.
Very early in the morning, Marian, a 7-year-old boy from a small and isolated town in Romania, wakes up his father and convinces him to go to the city, to fix his old television. Despite the bad weather, the father finally agrees. Marian and her father begin the journey, carrying the television set, hoping that in the city they will find Bichescu, a specialist, who will fix their problem. A short road-movie about the father-son relationship and the importance of little things in life.
Joe Gibbons plays Dr. Joe Baldwin, the self-styled child education expert who prepares Zoe from birth, for acceptance into a coveted gifted-only kindergarten program. What becomes evident is one man’s misguided quest to manipulate pitted against one child’s exuberant resistance to being controlled.
Gratinirani mozak Pupilije Ferkeverk is a short experiment as weird and extravagant as its incomprehensible title. Brains, made in collaboration with an avant-garde theatre troupe by the name of Pupilija Ferkeverk, can be viewed as a recording of a carefully constructed performance, a spontaneous ritual or simply a bunch of longhaired, sea-hugging naturists tripping, as a passionate plea in favour of individuality and freedom and an angry cry against any kind of authority.
Syria in 1977. Ossama Mohammed’s film explores how in an oppressive society individuals are subjected to various stages of submission until they are prepared to accept violence. Images of everyday life in rural areas where education is minimal provide a portrait of young villagers. Theirs is a choice between a life of toil working the land as their parents have done, or that of a migrant labourer in the city. Trapped between religious and political ideologies and completely fascinated by authority, many of these young peasants choose the army.
Two prisoners in complete isolation, separated by the thick brick walls, and desperately in need of human contact, devise a most unusual kind of communication.
A street with pedestrians. Music. A voice reads the credits and clarifies, “This is a very violent film.” The action begins: a man crosses the street and enters his flat. He opens the door, puts out the fire under the kettle whistling in the kitchen, and enters the living room…