The story of a 15 year’s old Moroccan who is the only heavy metal fan in his town Essaouira. He spends his weekends playing traditional ballads in a wedding band with his two cousins but dreams of playing thrash metal and headlining Monsters of Rock.
Category: Short
An allegorical short film about the price of freedom. A vast, leafy tree stands in the centre of the field. One ambitious apple on a branch does everything to ripen as soon as possible and break away from the branch that ‘holds it back’, while these restless efforts are viewed with profound contempt by the withered apples around it. The young fruit’s efforts are finally rewarded and while the brief moment of freefall induces euphoria, it ends up crushed by the laws of physics.
KASTÉLYOK LAKÓI shows the clash between old structures and Hungary’s socialist present. “In 1966, I made the documentary KASTÉLYOK LAKÓI about five castles in Gödöllő that used to be the Habsburgs’ royal residence. When I filmed there, parts of the building had been repurposed, converted into an old people’s home and a Russian barrack. Everything was in a very run-down state. Dilapidated palaces in which old, confused people lived who still had their own opinions about the world and fateful stories to tell. And behind them, one can still see the baroque facades and snow-white fireplaces in the film.” – Judit Elek.
The film follows Herdis, an eight-year-old girl, during a rainy day in Bergen. Set against the backdrop of social hardship and class divisions in the early 20th century, the story portrays Herdis’s fragile inner world as she navigates her family’s disintegration and her loneliness and hope for connection. Her parents quarrel, prompting her to wander out into the rain, searching for playmates, but she instead encounters humiliation from older children and remains socially isolated. Based on the short story collection Trylleglasset by Torborg Nedreaas.
With a playful associative montage, Parajanov offers an overview of portrait paintings by Hakob Hovnatanyan, the “Raphael of Tiflis.” Combining sights and sounds from both Hovnatanyan’s paintings and 19th century Tbilisi, Parajanov’s short documentary can be seen as a direct precursor to The Color of Pomegranates (1969).
Frankie is 15 and preparing for fatherhood. He is determined to be the best dad ever, but as his day goes on, he starts to realize how impossible this will be for him.
Mompelaar is a withdrawn young man who lives with his domineering mother somewhere in the Flemish countryside. One of his daily walks through the fields is interrupted by a strange encounter with some locals.