Jellyfish employs a variety of experimental approaches, combining stop-motion and pixilation techniques, freely mixing black and white photography of beach landscapes, objects and people – along with some drawings – to build a poetic, very textured montage, eliding the real and the surreal, the beautiful and the eerie, the spirited and the deadly. Figures and objects are isolated, linked together only by their presence on a beach, all exposed to direct or indirect threats. The different jellyfish are as much at threat – washing up dead, stranded in the desolate landscape – as they are a threat – appearing suddenly and making people vanish.
A family of gnomes preparing for the wedding of their oldest son must engage in a battle of wits with an enemy family of vicious trolls.
It all starts with the Eskimos waiting for the end of the polar night, which is about to give way to the sun. However, on the appointed day, the sun does not appear in the sky. It does not happen the next day. Excited residents turn to the village shaman for help, who deceives the hunters to give him all hunting trophies for shamming, and vilely refuses to help. And then the brave young hunter sets off in search of the sun.
An animated story derived from a Chinese folk tale. Follows the magical journey of a sister and brother as they travel with their grandmother to a mystical world. In this world, they confront a talking frog, a fierce dragon, a wicked witch, etc. Protecting them during their travels is a bright, white pearl that possesses extraordinary powers.
A dream-like story of a sleeping man whose body parts live their own lives at night to return to him in the morning – all except one leg which has chosen freedom. Its owner as well as a crowd of homeless men chase the leg, but it grows feathers and flies away as a bird. A grotesque tale with a poetic ending and with interesting music by Janusz Hajdun.
Metaphor about art, about time, or about how art consumes the artist’s life in his eagerness to create his work, in which he has to pour talent, vigor, and the best years of his life.
The film is an artistically spare depiction of the Greek myth of Sysiphus, sentenced to eternally roll a stone up a mountain. The story is presented in a single, unbroken shot, consisting of a dynamic line drawing of Sysiphus, the stone, and the mountainside.
This film tries to solve the classic brain-teaser “How can you get a wolf, a sheep and a cabbage across a river one at a time, without them eating each other.” The rational solution seems fine in theory, but does not work when applied to conflicts in real life.