Before The Naked Venus, Edgar G. Ulmer shot a 30-minute pilot for a TV series based on The Swiss Family Robinson, that no networks ever picked up. The inexpressive acting of the children caused the wreckage of this short feature, despite the efforts of their coach, Adrianna Ulmer. But the director took advantage of the Mexican location to sketch the theme of Nature as a beautiful prison – an idea he would brilliantly develop in The Cavern (1965). In fact, Ulmer started working on the production of The Cavern in 1957, and this work influenced this fascinating TV oddity.
Year: 2022
Yvonne Arthur is a mixture of charm and humour, spontaneity and spunk – but she’s an acute opportunist accustomed to living off other people’s money. What starts as an innocent reunion with a schoolmate, who is an heiress to millions, builds to the opportunity of a lifetime
Forever bungling private investigator Henry Brilliant has been hired by Maxine de la Hunt to protect her stepdaughter Marigold during her trip to Denmark. A real caring parent should have hired an army of P.I.s to protect Marigold from Mr. Brilliant. His name, he’s not.
Made as a tribute to the poet-painter Henri Michaux who died in 1985, this animated short film is inspired by one of his books, Mouvements (Gallimard, 1951), and offers an unusual rapprochement between an exceptional practice of writing and painting and the art of animation and cinema. Techniques: real shots and engraving on film.
Mario Dante is a crime boss in the mafia. He inherits a mob of his own, when his nephews and niece have to come and live with him. Along with Alice his girlfriend, they stumble through mishaps and learn to love each other.
An interpretation of The Confessions of Saint Augustine, featuring an ordinary middle-aged man who undergoes a conversion experience while watching an experimental film. The film is by Al Rutcurts (think about it) and Earl is so bored that his mind starts to wander.
A two-part collection of mostly European T.V. commercials directed by a variety of well-known directors from across Europe and the U.S. Compiled and produced by Jean-Marie Boursicot.
Wakako, who runs a traditional restaurant in Tokyo, once had her portrait painted by an itinerant artist named “Goro” when she was a young girl living in China. Having treasured the painting for so many years, she decides to bring it to a Ginza art gallery in hopes of finding the long lost artist, but with his signature as her only lead the search initially goes nowhere. That is until she meets an unusual florist named Coney who helps her to uncover Goro’s true identity.