Dorothea, a 16-year-old bourgeois girl from Hamburg, plays with her friends of both sexes, imitating the production of adult movies. In the end, pretending to make sex-scenes is not satisfying enough, and with a street professional, Dorothea is initiated in hard sex.
Year: 2022
As her husband Eiichi becomes more entangled in his life as businessman, Naoko looks for ways to expand her own life even as her husband’s life shrinks in scope and intimacy. She finds new interests, new love, and a greater sense of her place in the world.
A young man from Iowa comes to New York hoping to make it as an actor. However, he doesn’t get a break and is almost out of money. So another actor who moonlights as a stripper encourages him to try it out. Eventually, he becomes the headliner of the club but his acting aspirations are in danger cause of it.
In flashback, the film traces the law-enforcement careers of African American Gregory Foster and Italian American Rocco Laurie. Friends as well as partners, Foster and Laurie endeavor to improve community relations in their crime-ridden Lower East Side precinct–which results in their being murdered by three militant extremists, who hope to intimidate the rest of the force (at the time the film was made, this motivation for the crime was still pure speculation). The killings have the opposite effect, as the rest of department rallies against its enemies, inspired by the memory of their fallen comrades. Foster and Laurie was based on the book by Al Silverman.
The main character of the film is a teenage boy, called Trta who lives with his mother, a prostitute, in a small provincial town. He roams the streets, commits small thefts and soon is sent to Belgrade to a home for juvenile delinquents. There, he is assigned to counselor Žarko who tries to win the boy’s full trust and treat him in a way that is not the practice of the Home. The Home’s authorities are against Žarko’s manner of special treatment, and the conflict is unavoidable.
The movie tells the little stories of a group of families who live in the same building in Rome as seen from the eyes of Sandrino, a little kid who is awaiting for a total solar eclipse that really happened during summer of ’61, and it was fully visible from Italy. He sees his family life, a young girl who is about to marry a man she doesn’t love, an old man who has just died and whose relatives fight for his inheritance, a blind trumpet player who hopes to recover, his little friends…
Singing on the Treadmill is a surreal operetta parody about the realities of day-to-day socialism. The film is set in a vast garbage dump where, in the depths of a quarry, next to a derelict factory building, two librettists are penning a frothy operetta about the paternalism of Kadarism, its lies, reality perceived through rose tinted glasses and squabbles over a housing allocation. However, their lacquered players are not prepared to bend to their will, they take offence and start demanding independence, rejecting ‘orders from above’ about partners and housing. Gyula Gazdag’s grotesque parody that works on several levels is amusing and dream-like, full of free-flowing associations and remarkable solutions. Citing its “disheartening existentialism”, the authorities banned the film for 10 years.