Hazel runs a beauty salon out of her house, but makes extra money by providing ruthless women to do hit jobs. K.T. is a parasite, and contacts Hazel looking for work when he runs out of money. She is reluctant to use him for a hit, since she prefers using women, but decides to try him on a trial basis. Meanwhile, the local cop she pays off wants an arrest to make it look like he’s actually doing his job, but she doesn’t want to sacrifice any of her “associates.” Several other side plots are woven in, populated with characters from the sleazy side of life.
Tag: 1970s
China… the mysterious east… an American ex-patriot on the run from the law. No place to run… no place to hide… his only hope is a girl with strong ties to the Chinese Mafia. It’s kill or be killed as danger and death lurk behind every corner and in China there’s a thousand ways to die.
Documents the life of the last generation of Selk’nam’s. Their way of life, economy, rituals, chants, traditions, and their slow extinction after the European colonization.
Nazi war criminal Franz Kessler is an expert in germ warfare living in Hong Kong. In order to maintain his rich lifestyle he does a deal to provide terrorists them with a lethal gas. To protect himself he plants a timebomb in a Hong Kong sewer along with a large sample of his wares. When things don’t go to plan the police find themselves in a desperate search to prevent it from detonating.
The turbulent love affair between a fuddy duddy history teacher and a free spirited hippie girl leads to drug abuse and domestic violence.
If a man acts according to his human believes in the war times, the ruthless war machinery can easily swallow him down.
In a film based on Neil Simon’s hit play, Walter Matthau portrays three unconnected roles. Sam Nash reluctantly joins his wife, Karen (Maureen Stapleton), in the suite where they spent their honeymoon, hoping to revive their flagging marriage. Then Jesse Kiplinger, an aging movie producer, is determined to seduce his old flame, Muriel (Barbara Harris). Finally, Matthau is beleaguered father Roy Hubley who, with his wife, Norma (Lee Grant), struggles to get their daughter to her own wedding.
A bookseller from “rive gauche” (de la Seine, Paris) wants to meet the friends of his son who committed suicide. This search is the prelude to an immersion in the imaginary and the ghosts of the father, whose identity is multiple. Argentine writers Jorge-Luis Borges and Adolfo Bioy-Casares participated in the writing of this film.