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Based on an actual incident, this is the story of five girls who are among the 200 women who answer a want ad for a modest secretarial position one rainy morning in Rome in 1951. They crowd and push their way into the old building and fight their way up the stairs to await an interview, only to be told there is not enough time to interview all. A scuffle breaks out and the stairway collapses sending many of them hurtling down in a mass of bodies amid brick and mortar.
rarefilmm | The Cave of Forgotten Films Posts
Aging German man Heinz Alfred Geise is a successful business owner whose past is quite haunting; during World War II he helped orchestrate a Nazi-led bloodbath in a small Greek village. When this secret is exposed in a newspaper article, it causes his son, Andreas, to try to kill both his father and himself.
To help relieve overcrowded prison conditions, the Mesquiteers turn their ranch into a work farm. Construction Company man Beaton is hoping for a new prison contract and sets out to see that the experiment is a failure. He lures the Mesquiteers away and then has his henchman dressed as prisoners rob the local ranchers and plant the loot at the Mesquiteers ranch.
Though made in Germany, this film version of Johann Strauss’ comic opera Die Fledermaus was distributed in the U.S. by the Russian firm of Artkino. Such full-throated singing personalities as Marte Harell, Johannes Heesters, Willi Dohm and Haus Brauseweiter go through the time-honored paces of the opera’s libretto, wherein an upper-class Viennese gentleman simultaneously tries to avoid arrest and to prove his wife’s fidelity.
Three teenage boys inadvertently find themselves holding the adult world hostage in this in this wild comedy caper. When Slug, Mickey and Frank flee to a secret hideout to avoid their angry parents, they find an atomic bomb! Instead of turning it in, they call the President and demand that he… cancels school! Suddenly, the FBI is on their Trail, a pair of bumbling crooks steal the bomb, and mischievous fun turns into chaotic danger! Now the boys are in a race against time to clear their names… and save the world!
Oliveira returned to the center of Portugal’s film scene in the 1960s with Acto da Primavera, a work that marks a significant change in the director’s trajectory and that initiates some of the cinematic strategies that he would develop more fully in later films. In Acto da Primavera, Oliveira offers a version of a popular representation of the Passion of Christ, enacted by members of a rural community in northern Portugal, derived from the Auto da Paixão de Jesus Cristo (1559), by Francisco Vaz de Guimarães.
Marisa Fuentereal remembers the days of resistance in the sanctuary of the Virgen de la Cabeza. There he met Aracil, a man of extremist ideas that saved her from enemy troops, then Captain Cortés, who died in the final battle with the most defenders.