Mutya ng Pasig, directed by Richard Abelardo, is a supernatural melodrama of a woman’s misfortune and suffering interwoven with the legend of the Pasig. The legend itself is inspired by the immortal kundiman of the director’s brother, Nicanor Abelardo. The movie, released in 1950, starred screen legends Jose Padilla, Jr., Rebecca Gonzales, Teody Belarmino and Delia Razon.
rarefilmm | The Cave of Forgotten Films Posts
A young boy goes to spend the summer with his aunts in the South. He finds himself drawn to Jessica, who the other aunts describe as “slow,” and he eventually discovers there’s more to Jessica and his other aunts than meets the eye.
A fisherman saves Anada, a woman adrift, from drowning. He takes her to his home, and protects her. Eventually, she occupies a larger place than was to be expected. He commits adultery with her, but his own wife seems to be in love with the strange young woman.
Gary Cooper’s Holy Grail is finally out of the vaults!!
In 1840, Sam Lash heads west for adventure. He meets up with some Mountain Men, and they head for the Rockies to trap beavers and cats. In Taos he meets Lola, a beautiful Mexican girl from a proud and rich family. They fall in love and he persuades her to elope with him. After they get married, Sam is torn between his love for Lola and his yearn for travelin’.
Belgrade in early 1999, as NATO’s bombing campaign against the former Yugoslavian capital is at its height, a group of friends struggle to survive the attacks and sort through their personal difficulties, all the while working to keep their neighborhood basketball court intact amidst the rubble.
Rados is a young man who lives in the provinces of Yugoslavia and who has his heart set on becoming a great pianist making music for humanity, and nothing less than that. His companions at the Belgrade Academy of Music are not beset by the same economic deprivation as Rados, and they spend their time in effete pursuits, romantic liaisons, parties, and generally egocentric behavior. Rados’ simmering anger starts to heat up when he sees the enormous gap between the pretensions of the students and the nature of brilliantly composed music.
In Montmartre, an orphan boy is raised by a cantankerous mother who, to get rid of, sent him to a farm in the province. Ten years later, he returned to Paris, but can not forget his cousin with whom he grew up.