In this comedy, an even-tempered fireman with a happily tepid life, finds his peaceful world disrupted when he becomes infatuated with the woman he saved from a burning building.
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Karin is a sales rep for a cosmetics company who one day has to take to the road with Sophie, the new boss’s girlfriend. The two women behave as rivals before joining forces in a flight to freedom.
Ruby Dennis is a small-time lounge singer who owns a bowling alley. The film follows his attempts to make it big while struggling against the mob and finding romance with Sharon. Dennis lives with his sister, Paula, and her son, Raymond. Paula quits her job and runs off to help the poor, leaving Dennis to keep Raymond away from a life of crime. Ruby ventures toward a spiritual crisis, something that is off-kilter to his surroundings
Paul Czinner recorded, using a multiple cameras technique, the performance of prima ballerina Galina Ulanova of the Russian Bolshoi, doing “Giselle”, while the troupe was on tour in England in 1956.
Dorothea, a 16-year-old bourgeois girl from Hamburg, plays with her friends of both sexes, imitating the production of adult movies. In the end, pretending to make sex-scenes is not satisfying enough, and with a street professional, Dorothea is initiated in hard sex.
As her husband Eiichi becomes more entangled in his life as businessman, Naoko looks for ways to expand her own life even as her husband’s life shrinks in scope and intimacy. She finds new interests, new love, and a greater sense of her place in the world.
A young man from Iowa comes to New York hoping to make it as an actor. However, he doesn’t get a break and is almost out of money. So another actor who moonlights as a stripper encourages him to try it out. Eventually, he becomes the headliner of the club but his acting aspirations are in danger cause of it.
In flashback, the film traces the law-enforcement careers of African American Gregory Foster and Italian American Rocco Laurie. Friends as well as partners, Foster and Laurie endeavor to improve community relations in their crime-ridden Lower East Side precinct–which results in their being murdered by three militant extremists, who hope to intimidate the rest of the force (at the time the film was made, this motivation for the crime was still pure speculation). The killings have the opposite effect, as the rest of department rallies against its enemies, inspired by the memory of their fallen comrades. Foster and Laurie was based on the book by Al Silverman.