Revolutionary French New Wave director Jean-Luc Godard conducts a twenty-five minute interview with influential and acclaimed American director Woody Allen on the cultural radiation, the ubiquity and significance of television, and how television compares with cinema as a medium and form of expression.
Tag: 1980s
She is a “girl Spy” they say. Johnny and his friends are suspicious of the young Japanese girl, a survivor of the Hiroshima atomic bomb, who is staying with his family. After Johnny gets to know the charming and kind Miyeko, he’s forced to confront his prejudices. But can he stand up to his friends, who still want to treat her like an enemy?
Yoshishige Yoshida returned to feature filmmaking after a hiatus of thirteen years with this brave and moving film about the struggle to maintain dignity in the face of old age and approaching death. The Human Promise reaffirms Yoshida’s ability to deal with difficult and even taboo topics by exploring the question of euthanasia with a profound sensitivity and subtlety. The film’s unusually frank meditation on death is anchored by the restrained performances by its veteran actors.
A harshly sensual world in the fiery inferno of Hell. Big-breasted tailed demoness & demons whose tails are phalluses strut, rut, reproduce, nurse, & generally show off amindst the flames. An angelic prostitute confronts God.
A group of sex-crazy guys pose as porno filmmakers just to audition groups of lovelies in various states of undress. Eventually, they’re pressured into coming up with an actual movie.
Barbara Wyatt-Hollis is an English professor who begins to fall under the effects of Alzheimer’s. The film documents her decline and the emotional turmoil it causes for her. It also show how the changes impact her husband, George, and their children. The film also looks at the process by which families can be educated and supported to deal with the impact of the disease, as well what is done for those afflicted.
The story is set between the two World wars. The Topalovic family consists of five generations of males, with the youngest one aged 25 and the oldest aged 150. Conflicts break out in the family because the youngest member refuses to carry on the morticians’ trade, which for decades, from generation to generation has been his family’s occupation. The manufacturing of coffins is more and more lucrative, new technologies are introduced, burials are faster and easier, the era of crematoriums is here. But the youngest member of the family, Mirko, is not interested.
Who Was Edgar Allan? is a television adaptation of Peter Rosei’s post-modern thriller of the same name in which a student travels to Venice to study against the wishes of his father and meets a mysterious figure who calls himself Edgar Allan. Mysterious deaths, all-seeing eyes, strange misunderstandings, and odd father figures are elements which structure Michael Haneke’s television-thriller. The director’s later concerns with media, invisibility, surveillance, and the bourgeois family are already present here.