A sarcastic story about a thief who becomes the victim of his own victims. His victims come from the other world and take his most precious possession – his blood. The phantasmal atmosphere of the film is achieved through artificial animation coloring in a motion picture.
Tag: 1980s
A farm woman is accused of murdering her husband on a desolate farm in early 1900s Midwest America. Two women, a neighboring farmer’s wife and the sheriff’s wife, find themselves alone in the jailed woman’s kitchen while the prosecuting attorney and their husbands search the farm for evidence that would prove a motive for murder. As the women gather some things together for the accused, they uncover details of her life and discover what may be just what the men are looking for. Adapted from Susan Glaspell’s 1917 short story of the same name, the film illuminates a women’s world largely unnoticed by the men.
In a nightmarish, film noir-inspired cityscape, a man is pursued by a mysterious feline-like woman through a world of shadows, violence, and looming skyscrapers. As the chase reaches its climax, he discovers that the true danger may be his own inescapable fate.
Born to Film is, among other things, intimately autobiographical, interspersing footage of Danny Lyon’s own young son with film shot in the 1930’s by Lyon’s father, a doctor who immigrated from Germany… Lyon’s passionate vision has deepened and grown in resonance and the film is not just family or even social history, but about human continuity, the power of instinct to survive, the grace that love and play bring to it, the wonder of being alive.
As soon as Mirta Saknīte, an elderly country woman, wins a car in a lottery, relatives, who had never taken any interest in the elderly woman before, flock to her homestead. Until then the large Giluči family were Mirta’s only helpers. Her nephew Ēriks with his wife and son and her ex-daughter-in-law Olita with her second husband and daughter would love to get their hands on the car. Everyone tries to lure Auntie Mirta on their side but shortly before her death she reconnects with her former sweetheart Alfrēds Pigals. Based on a story by Māras Svīre.
Years after surviving the Holocaust, Alex Koves sees Michael Barna, the man who killed his family, on the streets of Toronto. Barna is now an upstanding citizen and a loving husband, but Alex will not rest until justice is served.
A young man from the city decides to travel into the Dutch countryside. There, he notices strange mound-like shapes in the fields covered by white plastic tarps. The local farmers casually explain that the mounds contain silage or hay, but the man becomes suspicious. When he secretly peeks underneath, he discovers something bizarre instead: stacks of consumer goods like sugar, canned soup, and sliced bread.
Produced for the 1984 London Film Festival, Derek Jarman’s Imagining October is a dreamlike meditation on art and politics in the final years of the Cold War. In this film Jarman explores art and politics in the final years of the Cold War, drawing connections between pre-Perestroika Russia and Thatcherite Britain. The title refers to the 1917 Bolshevik revolution and Sergei Eisenstein’s propaganda film October: Ten Days That Shook the World (1928).