Actually the comedy of unemployment, which is defined as possibly the worst, or maybe the best, thing that ever happened to this film’s group of protagonists: a middle-aged loan officer, his successful wife, a champion of professional joblessness (and mountain-climbing enthusiast), and the employment agency professional who falls passionately in love with him. This film’s honest work involves potatoes, ditch-diggers, a wheelbarrow, doomed love, jam in bed, and gunfire involving dueling employment agencies.
Tag: 1980s
Four Canadian girls skip off university to get to the wedding of one of their number’s relatives across the border in Portland. After the event one stays on with a guy she’s met, one returns home to get ready for her own wedding, and the other two head off for San Diego in a newly acquired Cadillac in search of the usual things.
Vickie Adderly is an enterprising young newspaper reporter looking for that big story to boost her career. A chance encounter with an adventurous drifter leads her into a world she never imagined… on the streets of L.A. Suddenly, her days are filled with a cast of colorful characters, including Marilyn, an eccentric femme fatale, and a bewildered Russian. Add the attentions of a handsome admirer and it’s easy to see how Vickie gets her story and a whole lot more in this charming romantic fable.
A musical montage, a synchronized symphony composed from an infinity of elements at hand: piano chords and cable cars, cocktail jazz and broken glass, looney toones and telephones, elephants and xylophones, violins and vultures, orchestra’s and roller coasters… A journey in images at the speed of sound. These collages films are drawn from a vast personal library of sounds and images, steadfastly accumulated over many years.
Illiterate and unemployed, Ed Sloan marries widowed schoolteacher Norah Gilbert and becomes the stepfather of her two sons; but after not being able to find employment, Ed ends up murdering a businessman.
The film’s artistic premise seeks a plastic equivalent to express the literary content of Gilbet K. Chesterston’s prose. It is a graphic film showing the metamorphosis of a tree, the main character of the film. It is predatory and dangerous to the nature around it. It catches and feeds on birds, which, suspecting nothing, live among it.
Alfredo seems to lead the life of so many Ticinese families born in the valleys, who now only go back to their native village for the weekend. But Alfredo doesn’t longer experiences the journey as a form of escapism, but as an obsessive rite which is repeated over and over again. Alfredo has lost his own identity.
An animated urban tabloidshort about late socialism in the Kádár era, based on interviews with passersby. Its title, which combines the words “report” and “portrait,” features exclusively talking heads and offers an overview of the living conditions, opinions, and plans of Budapest residents of different backgrounds and ages during the János Kádár era.
