Hooch is an inexpensive regional exploitation action-comedy (hicksploitation) about a small county in the Appalachians and its many moonshine-brewing inhabitants, who are all struggling to make a living. The older “brewers” are pissed off at the success of handsome young upstart Eddie Joe, who is charmingly stealing their regular customers. Meanwhile, the owner of the country store (also a moonshiner) conspires with a trio of carpetbagging Mafioso who want to take over the moonshine business in that county as an extension of their Northern business ventures.
Tag: 1970s
The sponsors of a drug-rehabilitation center stage a robbery to maintain funding of the facility, but the loot turns out to be syndicate-owned.
In 1978, Ruiz was commissioned to make a television documentary about the French elections from the viewpoint of a Chilean exile in the 11th arrondissement. But, contrary to the producers’ expectation, the Left lost. Ruiz seized on this anti-climax to make a documentary about nothing except itself – a film whose central subject is forever lost in digression and ‘dispersal’, harking back to his Chilean experiments of the ’60s. It is the best, and certainly the funniest, of self-reflexive deconstructions of the documentary form. Ruiz drolly exaggerates every hare-brained convention of TV reportage, from shot/reverse shot ‘suture’ and talking-head experts to establishing shots and vox pops (narrator’s note to himself: “Include street interviews ad absurdum”.)
The story of how jazz great Louis Armstrong got his start playing in Chicago clubs, how he was framed on a drug charge, and his travels throughout Europe, where he first gained worldwide fame.
A young girl who is looking for the birth parents who gave her up hooks up with a young man who has also been adopted and is looking for his real parents.
A chance meeting reunites Lise and Antoine, ex-lovers who had a brief fling 20 years before. Humbled by Antoine’s lofty position as a university professor, Lise is reluctant to admit that she’s a lowly police inspector. But, when a high-profile case involving a potential serial killer of politicians is assigned to Lise, she’s forced to admit what she does for a living. Together, the old flames race against the clock to stop the murderer.
Tom Sawyer and Huckleberry Finn, two friends in a Mississippi River town, have one adventure after another – including attending their own funeral and being pursued by a murderer.
William Saroyan’s Pulitzer Prize-winning play revolves around the denizens of a San Francisco bar in 1939. Lonely, lovelorn, weary or cynical, the characters drift in and out of the bar and each other’s lives, giving voice to Saroyan’s philosophies as they randomly comment about the impending world war, the beauty of art, and traditional notions of good and evil. At least one of the relationships stands a chance of enduring: a brawny innocent named Tom is falling in love with a vulnerable young prostitute named Kitty. Saroyan himself is heard reciting the play’s prologue.