For any questions or requests you can always find me at rarefilmm@gmail.com. Stay tuned for those new movies! Thank you once again for all the love and support and thanks a lot to everyone who keeps spreading the word about the site, the rarefilmm community is truly amazing, I'm very grateful for all your love and support 
The solemn, intent faces of the Japanese schoolboys playing video games in Jun Ichikawa’s “No Life King” bespeak a new type of modern horror. Addicted to their favorite new game (from which the film takes its title), these children have become seriously estranged from the real world. The film’s constant emphasis is on the ways in which this has been allowed to happen, and on how emblematic it is of larger attitudes in a technological society. When a young boy trying to converse with his mother must compete with a home computer for her attention, it’s not hard to see why the boy has retreated into his own computer-dominated world.
rarefilmm | The Cave of Forgotten Films Posts
Charlie Gordon, a mentally challenged man who is eager to learn, is given an experimental operation to increase his intelligence to genius level. The experiment seems to work, until one of the lab animals the procedure was tested on begins to lose its intelligence…
Francois Truffaut in conversation in 1977 with Richard Roud, then Director of the New York Film Festival. Truffaut, director of “Jules and Jim,” “The Four Hundred Blows, etc. was in America for the premier of “The Man Who Loved Women” at the 15th NYFF. The film director speaks of his childhood, the moral challenge of World War Two, the real meaning of the “auteur theory”, how the conservative French film industry was forced to change, Truffaut as a “culture hero” in the US, making a film that is as personal as a novel, the difference between French and American approaches to cinema, and many other themes.
America’s great film director-actor Buster Keaton, discussed by film critic Andrew Sarris and Raymond Rohauer, cinema historian, with some unusual perspectives on his goals and motivations. Illustrated with many film excerpts from 1917 to 1928. Rohauer knew Keaton and was partly responsible from rescuing many of his old films from destruction. Sarris is a leading film critic who has often written about Keaton. Excerpts include portions of “The General”, “Cops”, “Frozen North”, “The Boat”, “Sherlock, Jr.” and others. Rohauer also describes rescuing Keaton’s films from a garage and talking with Keaton at the end of his life when he had been forgotten.
A story from Victoria, British Columbia, of one young man who, despite a crippling malady, is determined to experience as many of life’s offerings as possible. Brian Wilson is spastic, confined to a wheelchair, but he works at a job, looks after himself, and moves about from place to place on his own. Every day has its challenges and victories, and sometimes defeats. With this example of personal courage, the film provides insight into the private and daily struggle of the disabled.
In this lightweight made-for-television domestic comedy, a beautiful divorcee, who got the house and the kids, finds herself allowing her husband and his ditzy young fiancee to stay with them after he gets into financial dire straits.
The Days follows the life of Dong and Chun, married artists who have recently graduated from the Beijing Art Institute. Living meagerly in the hope of making enough money off their works, it soon becomes obvious to everyone but themselves that the marriage has begun to die.
A comedy about a thirty-something man, named Victor who is to perform in a town, after having left group therapy. Victor cleverly bases his diatribes on the handful of locals who attend his performance. As his monologue coils out, his stories accurately reflect the audience’s own lives, offering glimpses of themselves which irrevocably shift their relationship with each other.