A satirical parable about civilization, rush and frantic speed, human flight from the natural environment and the pace of modern life. With increasing speed, the camera furiously races through forests, fields, rivers, farms, and buildings, finally losing control when it reaches the city. Zbigniew Rybczyński’s graduation film.
rarefilmm | The Cave of Forgotten Films Posts
Against the backdrop of a confined and minimalist room, a plethora of activities takes place. Little by little, the small chamber is occupied by diverse characters whose looping and overlapping daily routine generates a perfectly choreographed ballet, stunningly arranged and orchestrated by the cosmic tango of life.
In 1940, a man becomes a hermit after rejection. By 1950, a plague kills all post-pubescent males except him. Now desired by millions of women, he still yearns for his initial love interest, making him a treasured last man.
Produced in 1927 at the height of the silent era, these fascinating short subjects were presented in serial format in theaters with a new installment weekly. We are taken behind the scenes in the town where 85% of all American motion pictures were created. We are taken backstage where some of the many highlights include what movie sets look like in real life, Cecil B. DeMille pondering a new story, directors on the set directing, Lon Chaney hamming it up on the set of The Hunchback Of Notre Dame, Hollywood Boulevard, Grauman’s Egyptian Theatre and much more.
The line between genuine love and violent obsession is blurred when a man falls for a girl and proceeds to tie her up with rope to him, making her follow him around and bend to his whims until tragedy ultimately befalls them both.
A re-interpretation of the myth of Ulysses, the symbol of a man eternally torn between nostalgia for his past and a desire for discovery, between fear and enchantment, which, for Piavoli’s hero, is above all an enchantment with nature. The language of the film, invented using a mixture of Greek and ancient Mediterranean dialects, becomes a symbol of this ancestral wandering.
A mysterious agent arrives on planet Earth. According to his information, this area should have no trace of life, but to his astonishment he detects the presence of humans. He closely observes them from his hiding place, but after a while, the encounter is unavoidable. However, it suddenly hits him that they do not percieve each other the same way… Ildikó Enyedi’s film, with its peculiar atmosphere, was inspired by one of Adolfo Bioy Casares’ science fiction stories, and she used the exciting storyline to explore philosophical questions about moving images, appearances and reality.
Since the turn of the century, popular media in the U.S. have promoted a stereotyped image of Latin America in order to justify the concept of U.S. dominance in the hemisphere. The Gringo in Mañanaland uses travelogues, dramatic films, industrial films, newsreels, military footage, geographical textbook illustrations, and political cartoons to take a detailed look at United States media representations of Latin America.