A young member of a choir becomes friends with a ghost in a school of English cathedral.
Lilies is set in a Quebec prison in 1952. Jean Bilodeau, the local bishop, is brought to the prison to hear the confession of Simon Doucet, a dying inmate. But Doucet in fact has a very different revelation for Bilodeau.
The Hounds of Notre Dame is about 36 hours in the life of Père Athol Murray, a hard-drinking, chain-smoking Catholic priest, teacher, political activist and coach of the school hockey team, The Hounds.
Four self-absorbed artists living together in one mad house as if in one mad mind but all somewhere else who knows where, lost each in themselves and in their search for the perpetually elusive love or joy or hope or whatever… in a night of craziness where nothing makes sense, their art, their fantasy, their relationships, all sheathed in a veneer of filmic formality and all amounting to nothing, dreams, vanishing like the vapours of night at sunrise.
In the Victorian period, two teenagers, David and Sarah, travel with a caravan from Baghdad to Damascus. At an oasis, the white slave agent known as the Jackal raids them, mainly to add the beautiful young Sarah to his harem. Only David and Sarah narrowly escape, and all the others are slayed in the massacre. Their flight leads them to a beautiful oasis – their paradise – where they discover love and sex. However, the Jackal has not given up on Sarah yet, and David must lure him to his death, or be killed by him.
Immigration officers raid the kitchen of a Montreal restaurant. Illegal immigrant dishwashers flee, including a certain Pablo Torres… Claire, a teacher, lives alone. Claire’s sister, Annie, a lawyer, has a problem: the visa of her client Pablo, a political refugee who was tortured in his Latin American homeland, is about to expire. Would Claire marry him so he can remain in Canada? Afterwards, she and Pablo will go their separate ways. Claire reluctantly agrees. They marry, but Immigration knows what’s going on. The two are forced to live together…
Period drama set in Montreal in 1925. Tells the story of a six-year-old boy, David, his grandfather, a horse called Ferdeleh and the comic-tragic ambitions of the boy’s father who wants to become a rich man.
Henry Adler lives in Ontario by himself, regularly visits his gruff and critical father, and works in a bank; he’s also an actor. He finds new purpose in life when he’s cast as a cop in a realistic TV show. He gets into the part, borrowing the uniform from wardrobe, and walking around the city streets. Soon he’s talking to bank customers as if he’s a cop; this gets him in trouble with his boss, but Henry doesn’t care. He falls for one of the actresses, Charlie, and they practice together. Henry’s quirks and his intensity creep her out, though, and she breaks off all contact. He’s desolate. Things come to a head when one of LA’s finest mistakes Henry for a real cop.