Just paroled from a prison term for manslaughter, ex-Marine Jim Hughes makes a new start with his wife Ellen and ten-year-old son Paul, on a ranch given him by his old Corps commander. Krivak, a vicious neighbor, threatens to take the land away from him after Jim refuses to sell. He instigates a fight between his dog Thunder and Paul’s much smaller dog, which is killed. Later, the grieving Paul finds a wild puppy, half dog and half wolf, and Jim lets him keep it. Preparing to take his herd to market, Jim finds his fences cut and his herd stolen. He is accosted by two escaped convicts, Trent and Hawkins, who knew Jim in prison, and they force him to take them in.
Tag: CANADA
Jean-Claude Lauzon’s highly praised film tells the strange story of Léolo, a young boy from Montréal. Told from Léolo’s point-of-view, the film depicts his family of lunatics and Léolo’s attempts to deal with them. Not one individual in the boy’s life is well adjusted. His brother, after being beaten up, spends the film bulking up on growth protein. The grandfather hires half-naked girls to bite off his toenails and, in a brutal rage, almost kills Léolo. As he witnesses his family decay around him, Léolo retreats into himself and the fantasy world he has constructed. In response to the weirdness of his daily life, Léolo creates a little mental mayhem of his own which Lauzon renders in an amazing series of free-form, surreal images.
The Wars focuses on rebellious Robert Ross, who battles against the uptight, upper-crust Rosedale society he was born into; when war is declared in 1914, he enlists in the Canadian army to escape from personal tragedy. Though it recreates the horrors of WWI trench warfare with harrowing realism, the film is more interested in how war replicates, and even amplifies, the class divisions of the homefront; in one of many telling details, Robert is the only man in his unit with a handgun because he is the only man wealthy enough to afford one.
This feature-length documentary introduces viewers to Ken Carter, a Montreal-born stunt driver who made a living by risking his life. The film shines a light on the intense preparation that led to Carter’s first attempt to jump a car across a mile-wide stretch of the St. Lawrence River – a 5-year period during which the dare-devil raised a million dollars, erected a 10-storey take-off ramp and built a rocket-powered car.
The Idea of North is part filmed docudrama, part fantasy, part forerunner of music television. Based on the radio play by Glenn Gould, North’s montage of words, images and music tells a universal story of the quest for our last frontier. A young man boards a train going North. It is a real train on a scheduled run, yet also a train of mind and mythology. As the journey unfolds, he chats with a seasoned guide, and passes his time in reading, watching the rugged landscape and speculating about his fellow travelers. He encounters four of them in his imagination, sharing their memories and the challenges that transformed their lives in the North.
Bob is an aging thief who has seen better days and is battling both an addiction to heroin and a growing gambling problem. But he still thinks he has one more big score in him and plots a massive heist of a Monte Carlo casino. In order to pull off the theft, he’ll need an amazing team of accomplices and will have to outwit his nemesis, the local police chief. The chief knows that Bob is up to something, but can he figure it out before Bob makes off with millions?
?O, Zoo! (The Making of a Fiction Film) is ostensibly about the making of Peter Greenaway’s feature film, A Zed and Two Noughts, the production of which Phil Hoffman was invited to the Netherlands to observe. However, Hoffman’s film actually concerns the terms and conditions under which it was itself made. In part, the film translates actuality and memory into invention and fiction in which the symbolic father is cast as a real ancestor. Hoffman rewrites the Canadian documentary tradition into a family memory and romance.