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An oil tycoon hires Galyon, a jungle survival expert and soldier of fortune, to rescue his daughter and her husband from South American terrorists.
Tag: 1980s
A film about the imagination. The present of man is extremely limited. He has been excluded from the future and even the past is nothing more than a source of gentle memories. Without bitterness he tries to make a last move. A move that may not actually exist, but gives some hope for a wildcard.
King Henry VIII wants to divorce his wife, and seeks the approval of the aristocracy. Sir Thomas More is a man of principle and reason, and is thus placed in a difficult position: should he stand up for his principles, risking the wrath of a corrupt King fond of executing people for treason? Or should he bow to the seemingly unstoppable corruption of King Henry VIII, who has no qualms about bending the law to suit his own needs?
A portrait of Luther Metke, a veteran of the Spanish-American War, poet, philosopher and builder of log cabins in the State of Oregon, in the northwest of the United States.
——UPGRADED——
Alan and Mary are pretty miserable together and split up. As an very presentable Glaswegian photographer Alan soon has chances to find consolation elsewhere, but more and more thinks of Mary. She however seems a lot less keen to try again.
The setting is a ”new” Tokyo suburb. The school is clean, well run, and the movie takes place in the five-day period before, during and after a ferocious, seemingly liberating typhoon, which five of the students endure while marooned in the school’s gymnasium.
As a cruel joke, billionaire William Randolph Hughes planted a series of boxes around the Southwest, in the hopes that someone would find them. The first box told the discoverer that an enormous fortune was buried in a box somewhere, along with directions to the hiding place. When the box is uncovered, however, all it contains is instructions on how to find the next box, and so on. As luck would have it, the first box is discovered by several people at once, leading to a frantic chase from one hiding spot to the next in the hopes that one of them will finally hold the loot.
This haunting installment contains a solitary wood chair with headphones attached, facing a television monitor. A man (the artist himself), looking visibly fatigued, appears on the screen, sitting in his own chair. Here, the artist compels viewers into an intimate relationship: they sit at eye level with him, listening to the sound of his breathing through the headphones.