Rate It X is a bitingly funny and disarming journey through the landscape of American sexism. Men only are interviewed by the two filmmakers in a witty montage of free-wheeling encounters. Pornographers, corporate executives, a funeral parlor director and Santa Claus are among those who reveal more than they intended. A surprisingly candid view of men’s feelings towards women 15 years after the birth of the women’s movement.
Tag: 1980s
Patricia hears the voices of the band Deutsch Amerikanische Freundschaft (D.A.F.), calling her to their concert. She makes her way there and tries to get in, despite the fact that she doesn’t have any money. Somehow she is buzzed into the backstage area though. Walking through the door, she finds herself in a shifted reality where violence blooms, blood flows easily and Patricia is hunted by something.
Jack Bender directed this made-for-TV romance about an attorney who falls for his firm’s latest hire, a woman 15 years older than he.
A small-time criminal and bar master comes across a girl handcuffed to a telephone pole. He takes her home and helps her get back on her feet before dropping her off in the city. He is later surprised to find her inside his home when he returns one night. At the same time, a dictionary company employee is trying to launder 1.5 billion yen that he stole from a company president, which is unusable due to the serial numbers being recorded. The three characters are brought together by coincidence, and begin an enterprise to turn the 1.5 billion into money they can use.
A western movie about two young children and their loyal horse, Big Red, the only survivors of a wagon train massacre. They bravely struggle through the Utah wilderness, facing horse thieves and various adversities to be reunited with family.
Invitation Au Voyage is a film that stays with you for a long time. The story involves a pop singer who dies, electrocuted in a tub of milk. Her twin brother/lover drains the milk into bottles, stuffs her body in a cello case, straps it to the top of his car and embarks on a road trip of the strangest kind.
A documentary filmmaker, who has spent the last 15 years making films like “Aluminum: Our Shiny Friend,” is finally given the chance to make the documentary on Indian farming he has always wanted to. The catch? He must simultaneously direct a porn film. But as he tries to make the porn film, which he turns into a musical called “Halloween in the Barracks,” he must deal with a temperamental actor, a fundamentalist preacher, and other obstacles.