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In this end-of-the-life scenario, which is designed as an expressive silent film with subtitles, a group of adolescents and scattered loners move through a destroyed landscape. One of the leaders is poisoned by his girlfriend, who now takes his place and demonstrates her power to a newcomer. However, he in turn passes the test of courage, puts himself in the place of the head of the group and leads the ever-growing community into an uncertain future.
Tag: 1970s
Chris Munger directed this blaxploitation version of the popular skinflick Starlet! (1969). The story concerns Clara , an aspiring actress from the housing projects of Gary, Indiana, who goes to Hollywood in search of fame and fortune. Predictably, she is robbed, betrayed, and must hit the casting couch before her dreams can come true.
The film is a humorous lecture on the internal structure of a dachshund. Parodying popular lectures at the same time, it contains a message about the superiority of the products of living organisms’ techniques and calls for respect for the environment.
Singer Matthew Crowe teams up with a tent show preacher who uses him as part of his touring show. Matthew lands a record deal and the preacher becomes his manager. They hire a group of musicians and become very successful. However, his new fortune increases his dependence on drugs, and his off-stage carousing threatens his career.
A shy guy gets fired for dating his boss’ girlfriend. Taking advantage of his situation he writes a book on how to pick up chicks and on the way finds his love.
The action takes place in Florence in the 1930s. Alfred, an Englishman who moved to that city in order to write a book on Giotto, meets a boy who is fond of music and mathematics, with whom he becomes close friends. Alfred goes to Switzerland, but one day he receives an anguished letter from the boy and rushes back to Florence where he learns some terrible news.
This is the only existing television interview of Jacques Tourneur, shot in his French country house in Bergerac in May of 1977. Very interresting stories about the Hollywood system and cinema industry hierarchy and codes.
This raw Italian political melodrama investigates the underbelly of Rome in the early ’70s, exposing drugs, crime and sexual scandal. Many of the characters and episodes are based on incidents which made Italian newspaper headlines in that period. Throughout, it implies that one important behind-the-scenes personage (“number one”) is pulling the strings of the characters. The film’s tone of outrage clearly differentiates it from a more easygoing film exploring the similar nightlife of 1960s Rome, La Dolce Vita.