A landmark of both experimental and queer filmmaking, Kenneth Anger’s film is a bizarre, disturbing dreamscape of violation, rape, and homoerotic sadomasochism. The film opens with Anger, who made this film when he was only 17, awaking from a troubled dream and leaving his house to go on a stroll. He is confronted by a band of buff sailors who proceed to beat, manhandled, and molest him. Recalling other surrealist masterpieces such as Un Chien andalou and Meshes in the Afternoon, this film uses elliptical narrative structure and dream-like visual metaphors and puns.
Tag: 1940s
In this musical, producers begin searching for a real southern belle to star in a Broadway production. The two are forced to hear a woman’s audition and agree to let her have the lead. She is soon fired, but is pursued by the producer who has fallen in love with her. Songs include: “Find Yourself a Melody,” “I’ll Never Let a Day Go Past,” “Kiss the Boys Goodbye,” “That’s How I Got My Start,” and “Sand in My Shoes.”
Based on the Pulitzer Prize-winning novel by Thornton Wilder, The Bridge of San Luis Rey tells the story of a rickety bridge that has spanned a deep gorge for ages. When the bridge suddenly collapses–plunging five people to their deaths–the tragedy causes a wave of superstition to engulf the villagers as they believe they are destined for continued misfortune. Only a priest can find the connections to divine intervention that will quell the townspeople’s fears.
In this British crime drama, an honest railroad signalman finds himself sorely tempted when he witnesses a murder and later finds $20,000 floating in the harbor. The trouble begins when he decides to take the money and leave town with his daughter and a gold digger. Based on a novel by Georges Simenon.
Lupe Vélez plays a dual role, twin sisters Rita and Elaine. After escaping a torpedoed ship, Rita shows up in Manhattan where she takes the place of her Broadway star twin sister Elaine, who’s having problems with her marriage and needs to make a getaway. Neither Elaine’s husband nor Rita’s saxophone-player boyfriend are aware of the switch.
The fate of several men in a Libyan city briefly captured from Italy by the invading British in 1941, includes a focus on the role of women during these hard times.
Agostina is a maid turned prostitute during World War II. She sends all the money she makes to the local priest in her home village for safekeeping. After the war is over Agostina and her friend Australia plan to open a clothing store so they return to her home island to collect the money from the priest. But after arriving there Agostina learns in shock that the priest has been dead for more than a year and that his eccentric successor mistook the received money for donations and spent all of it on building a new orphanage for war orphans. To make matters even worse, other islanders think that Agostina is now a millionaire and beg her to help them financially.
The titular Marie-Louise is a young French lass who is evacuated to Switzerland when her country is overrun by the Nazis. Suffering a nervous breakdown, she is given comfort and shelter by a wealthy family. Unfortunately, living in the lap of luxury makes Marie-Louise hesitant to return home to her mother and war torn home. Eventually the girl comes to her senses, but it isn’t easy.