For 30 years, Jane Elliot has committed herself to fighting against racism, prejudice and ignorance through an exercise separating blue-eyed persons from brown-eyed persons. This film witnesses one such experiment with a group of business people who find themselves experiencing discrimination and condemnation due to their eye color. Director Bertram Verhaag captures the emotional power of the experiment and forces the spectators to challenge themselves like the participants.
Tag: USA
A macho Cossack immigrant to the U.S. goes West and joins a ring of rustlers. Later his son follows him to states and he too begins stealing cows. Not knowing his father very well, the youth is anxious to prove himself a manly man and a friendly rivalry develops until the father is captured and imprisoned. Meanwhile, his son joins the cavalry and secretly engineers a break out. He succeeds and then feels terrible guilt, for it is his unit that has been assigned to bring his father to justice.
A film about the radical attack surrealism and Dada wrought on the familiar and traditional art values of the past. Through the perceptive choice of paintings and sculptures from the work of de Chirico, Duchamp, Man Ray, Ernst, Miro, Magritte, Dali, Klee and others, we become exposed to the philosophy, poetry and politics of these fascinating art movements.
“Mutzmag” is an Appalachian variant of a Scottish tale, “Molly Whuppy,” brought to the United States by early immigrants. It is set in the Appalachian baclcwoods, circa 1920. Mutzmag is a 12-year-old girl who lives with her mother and her two abusive half-sisters, Poll and Nance, in a tumble-down shack on the edge of a cabbage patch. After their mother dies, the girls decide to leave the mountain shack and “seek their fortunes” in the city. On the way they encounter a witch and a simple-minded, but brutal giant who plot to kill and eat the girls.
A portrait of Arthur “Peg Leg Sam” Jackson –black harmonica player, singer, and comedian who made his living “busking” on the street and performing in patent-medicine shows touring southern towns. Footage includes excerpts from one of his last medicine shows, videotaped at a county fair in 1972, and material filmed near his home in South Carolina in 1975.
A series of interviews are conducted concerning people’s beliefs towards the possibility of an afterlife. The interviews are filmed against a set of strange backdrops, and are intercut with clips from classic films and a variety of stock footage.
A fifteen year marriage dissolves, leaving both the husband and wife, and their four children, devastated. He’s preoccupied with a career and a mistress, she with a career and caring for four young children. While they attempt to go their separate ways, jealousy and bitterness reconnect them.