Tashkent Station in the Uzbekistan capital: Passengers rush to catch their trains. A couple, locked in an intimate embrace, so deeply affects the train driver that leaves the train standing and makes a fundamental change in his life. A miniature by Veit Helmer.
Tag: FHD
Felix in Exile was created in 1994, a momentous time when South Africa was transitioning through a social, political and economic revolution to a new post-Apartheid society, with new uncertainties and struggles ahead. William Kentridge states that, although his work does not focus on apartheid in a direct and overt manner, but rather on the contemporary state of Johannesburg, his drawings and films are certainly spawned by, and feed off, the brutalised society that it left in its wake.
Dr. Carol Evans, a physician who recently conspired with her lover Gus to kill her rich husband for his inheritance, finds herself being blackmailed by him for a share of the money. Carol seduces Brian, a young motorcycle-accident patient of hers, in the hope that he’ll help her kill Gus. When Gus is killed in a struggle, Carol coerces him into hiding the body, but finds herself being investigated by Brian’s friend David, an amateur sleuth, who has always believed her to be a murderer.
Budapest, in the ’80s. Géza and his family living in the block flat microdistrict. One morning Géza meets a young lady in the elevator. This moment change his life. On the same day he quits his factory job and decides to start his own business: became a wall driller, as there a big demand for it in the neighborhood.
Dramatisation of the Bakiga people’s attempt to cultivate the Kigezi district of Uganda, region inhabited by Pygmies. Jonathan, educated clerk, son of the village’s chief, goes along with other men’s of the village to build the new farms. Injured in a movement of buffaloes, he is helped by some Pygmies villagers with who he becomes friends. When returning to his people’s settlement, his peers don’t see these new acquaintances in a favorable light.
Marcella inherits a taxi business from her father and now sets out on the job of her life. With each new fare she becomes involved with sex and crime all done up 70’s Italian comedy style.
39-year-old François meets 22-year-old Muriel. She agrees that on a certain day they will meet at a hotel and he will see her naked, and promises not to sleep with her at that occasion.
One of most influential films in avant-garde cinema, this experimental film by Michael Snow was shot over a period of 24 hours using a robotic arm, and consists entirely of preprogrammed movements. Snow programmed all the robotic movements so that they never moved the same way twice, so there are differences in every motion of the camera.