For forty years Alejandro Farfán has been making and showing films in El Pedregal. Now located in the heart of Caracas, this community was a small village when Alejandro first went to the cinema. This is a portrait of a local film-maker and of El Pedregal itself, exploring the place and its memories.
Tag: 1990s
Wafer factory-owner P. Tinto and his wife Olivia want a their own child more than anything else in the world, but after years of trying, they have nothing but a pair of extraterrestrial midgets living in their spare bedroom. When they decide to try adoption, a series of misroutings and chance encounters results in an escaped adult mental patient arriving at their door with adoption papers in hand. P. Tinto and Olivia accept this without question and welcome him in as their son. Can this family arrangement work?
It’s a city that’s larger than life. A city without limits. A glittering mecca of excess and forbidden desires. Discover the fascinating story of this fabled destination and the people who created it. From the mobsters who made Vegas into their version of American Dream to the tycoons of today’s family mega-resorts, this is the ultimate insider’s tour of America’s neon oasis. Illuminating interviews with luminaries like Alan King, Wayne Newton and Debbie Reynolds, writer Nick Pileggi, entrepreneur Steve Wynn and Howard Hughes frontman Robert Mayheu offer a unique, unvarnished look at the fabled city, while never-before-seen footage opens a window to its tumultuous past.
A naive Canadian barber who knows US popular culture inside and out meets a flamboyant roadie who needs someone to drive her and her “brother’s” corpse to New Orleans. Chaos ensues after the barber agrees to drive her, the corpse, and the drugs stashed within all the way.
In the first part of the film, two young women live together and create their own eccentric adventures, transforming their (always rainy) everyday environment into an enchanted playground, full of pop-musical sequences and synchronized tooth brushing performances. As the second half of the film shifts to both deeper psychological themes and a more meta-filmic playfulness, Yaguchi develops a bewitchingly melancholic atmosphere of unpredictability.
Set in 1940s northern Mexico, this film re-tells the story of “The Lonely Hearts Killers”, a famous couple of murderers who made victims of lonely and wealthy widows in the USA. Coral is a rotund and passionate nurse who knows handsome gigolo Nicolas Estrella and falls for him immediately. Nicolas rejects her because she’s not rich, but Coral is determined to get him at any cost. She abandons her children and follows the man in spite of his way of living. Together they will scheme to swindle and murder women who look for love and companions writing letters to a sentimental courier.
Whether in the countryside or on the edge of the city, amusement parks or fun fairs are hot across Europe. Their names, amusement parks and fun fairs, say it all: People want to be amused, they want to have fun. For example, at the Europark in southern Germany a dummy with a contorted face sits in an electric chair. Smoke comes out of him and a light flickers off and on from out of the roasted “brain” of the dummy, which shudders and cries in pain. A film on the culture of amusement in today’s “leisure” society.
Teenage siblings Nenette and Boni were raised apart as a result of their parents’ divorce. Their mother, who doted on her son Boni, has died. He works for an interesting couple as a pizza baker, and is surprised and enraged when his younger sister, having run away from boarding school, suddenly turns up. There’s a problem that they must confront.