Tag: 1990s

April 13, 2026 / Arthouse

Jean’s solitary existence strangling women along the path of the Tour de France is upended when the troubled Claire finds herself hopelessly drawn to him. Grandrieux operates the camera himself shooting in low-light environments, offering an alien vision of the French countryside stuck in a state of perpetual dusk. SOMBRE announced Grandrieux as a singular voice in the New French Extremity movement, with its fearless gaze into the intersection of desire and death.

February 22, 2026 / Comedy

Tom Noonan’s dark comedy features a husband-and-wife team of psychotherapists who run a New-Age therapy group out in the wilderness. Late one night, Jack and Rita are visited by one of their patients, Cosmo, and his wife, Arlie. Cosmo’s wife has felt “left out,” since her husband spends so much time with the therapists and confides all of their secrets to them. Arlie has insisted on meeting them–the evening begins awkwardly, then painfully grinds on, as various tensions and power struggles emerge between and among the two couples.

February 3, 2026 / TV Movie

Jimmy Pearls, a directionless young drifter, kills Henry Logan’s son and two other men after he found out that they murdered Jimmy’s parents for their land. Trying to get away from Logan’s vengeance, he goes to ground in the mountains and meets Winston Patrick Culler, an old trapper, who becomes his traveling companion and protector. Jimmy doesn’t understand though why Culler is helping him…

February 3, 2026 / Biography
February 3, 2026 / Documentary

A cross between video art and television documentary, this is a portrait of British choreographer, dancer, actor and mime artist Lindsay Kemp. The spectator gets to know him through an heroic myth, where the actor searches for his identity in the show business world, and must face stouthearted true lies for a biographical portrait between fiction and reality.

January 31, 2026 / Arthouse
January 31, 2026 / Arthouse

Beshkempir takes its title from the name of the boy whose story it tells. His life is sunny and carefree, spent in childhood games, until the day he hears terrible news from his playmates: he is not his parents’ biological child. Overnight, his best friend becomes his rival and the young girl of his dreams starts going bicycling with somebody else. His pleasant and peaceful existence is over: if his parents are not his own, Beshkempir feels he has lost his whole identity. He tries to gradually overcome the problems that arise from this new situation. Aktan Abdykalykov’s first feature was also the first independent film to be produced and directed in Kyrgyzstan.

January 30, 2026 / Documentary