In the year 2011, a sophisticated Los Angeles Company, Nanolabs, prepares to advertise a cancer cure in the form of nano-engines, microscopic molecular machines which mutate and restore organic tissue cell by cell. Genius Buck Hogan starts to have serious doubts when lab animals start to die. Profit-greedy CEO Donald ignores him and devises human tests and news conferences…
Tag: 1990s
Writer/director Jeff Stanzler’s tough drama Jumpin’ at the Boneyard features standout performances from Tim Roth and Alexis Arquette as brothers struggling against the odds in New York City. Manny is unemployed and struggling to find himself; Danny, his brother, is a drug addict. Together they have one day to rebuild their relationship and retrace their childhood footsteps through the meanest streets of New York. Only with each other’s help can they find the strength to change their lives.
Stephen Lawrence was a black London teenager attacked by white racists. His mother Doreen and father Neville fought to have the events properly investigated, culminating in a judicial enquiry into the events, and the inadequate investigation into the events by the Metropolitan Police, London’s police force.
America is going to war and nuclear holocaust is an inevitablity. A group of friends retreat to a bomb shelter and try to come to terms with the changes in their lives that will occur after the bombing ceases.
Images from an aerial tram leaving Manhattan are followed by images of a nearly static bird, of bugs fighting, and of light bending as it passes through glass. Near the film’s end the tram lands in Manhattan, as if it had reversed direction; as in all of Julie Murray’s films, the images and the editing can pull several ways at once. There are no absolutes, and even the light by which we see is altered by the material it passes through.
Marcel Duchamp kept a secret for over 20 years: while the art world had wrongly assumed that one of the 20th century’s most important artists had given up creating art, Duchamp was building his final masterpiece, Etant Donnes (“given”). Duchamp didn’t allow the piece to be viewed by the public until after his death in 1968. This left him shielded from the questions that developed after the piece debuted. Simply described, it is a peepshow. Through an old wooden façade, one looks through to see a sculpted open-legged nude lying in a field. The critics were stumped. What did Duchamp leave us with? This BBC documentary from 1997 dissects and examines the pieces of this assemblage.
This documentary respectfully interviews a number of important American directors who have in one way or another bucked the system. It also explores the life and work of earlier American mavericks through the tributes, reflections, and recollections of the first group. Prominent among the living directors interviewed are Martin Scorsese, Francis Ford Coppola, Paul Schrader, and David Lynch. Among the directors who are discussed are Orson Welles, D.W. Griffith and Samuel Fuller. Clips from the films of these men, and interviews with important actors who have worked with them (e.g. Robert DeNiro) are another feature of this documentary, commissioned by Japanese public television corporation NHK.