Brocani conjures together all your favourite European cultural and historical myth figures in order to attack the centuries of ‘sublimation’ that have produced our cities and their inhabitants. The gang’s all here: Frankenstein’s monster gropes towards the awareness that his mind is a universe; Attila, naked on a white horse, liberates his people from their ignominy; the ultra-caustic Viva bemoans the frustrations of married life and drifts into the elegiac persona of the Bloody Countess Bathory; Louis Waldon is a hip American tourist searching for the (missing) Mona Lisa. The range is extraordinary, from stand-up Jewish comedy to a kind of flea-market expressionism. Brocani’s approach is contemplative rather than agitational, which confounds the impatient; Gavin Bryars’ lovely Terry Riley-esque score matches the ambience exactly.
Category: Horror
11-year-old Nick moves into a large old house with his sisters Jennie and Clare, left in the care of Helga the Swedish au pair while their parents are away in America. Nick is unhappy at his new school, where he is befriended by a boy named Sam and intimidated by scripture teacher Mr. Crabb, who is interested in the occult and demonology. Nick hears voices in the house and receives messages on his computer screen; he also suffers inexplicable blisters on his feet and grazes on his elbows and knees. When he dreams of burning and wakes up in a bed full of ashes, Nick tells a psychiatrist that he feels he is possessed by a demon.
Nazis are sent to guard an old, mysterious fortress in a Romanian pass. One of them mistakenly releases an unknown force trapped within the walls. A mysterious stranger senses this from his home in Greece and travels to the keep to vanquish the force. As soldiers are killed, a Jewish man and his daughter (who are both knowledgeable of the keep) are brought in to find out what is happening.
Excellent adaptation of Shirley Jackson’s provocative short story, still has impact. Unsettling depiction of the banality of evil. Like the short story, the film begins casually with the start of the annual ritual lottery and grows more intense as we slowly realize the lottery’s purpose. Its main character, Tessie Hutchinson, learns too late the dangers of not speaking up, and of blindly following and supporting tradition. Tradition is symbolized by lucky “Old Man Warner”(77 years in the lottery). Like the short story, the film is shocking because of its matter-of-fact tone: the lottery is depicted as just another mundane yearly event. Spare, powerful, and thought-provoking.
An unstable man named Jim spends the summer in an empty mansion. There he meets a mystical woman, a real estate agent, and a man called Mick Prophet. Over the course of time, a series of strange and disturbing events occur as punks, serial killers and witches cross his path.
Helen finds herself having intimacy problems with men. Her private parts are devouring all lovers and leaving her with an insatiable thirst for blood. In order to satisfy her cravings she becomes a prostitute which leads to a death filled tale of murder, madness, and sex.
After meteors enter Earth’s atmosphere, blinding much of the planet’s population in the process, plantlike creatures known as Triffids emerge from the craters and begin to take over. Military officer Bill Masen, one of the few sighted people left alive, meets with other survivors in England and tries to find a safe haven from the vicious vegetation, as scientist Tom Goodwin desperately seeks a way to defeat the leafy extraterrestrials.
Gengobe Satsuma, an exiled samurai cast out as an Asano clan retainer is given a second chance to join his brothers in arms to become the 48th Ronin against the Shogunate. His faithful servant gathers the 100 ryo required for his acceptance. Gengobe is also in love with a greedy geisha named Koman. About to be sold to another man, Gengobe learns that for him to keep her, her debt is exactly 100 ryo.