In post-Soviet Russia, detective Andrey is sent to investigate the bizarre suicide of a young mother. As he delves into the case, he becomes entwined with the woman’s sister Marina and the dark legacy of her family’s past. What begins as a routine investigation evolves into an encounter with unseen forces that prey on grief and guilt. The atmosphere grows oppressive, and Andrey finds himself drawn into a realm where the boundary between the living and the dead is dangerously thin.
Category: Horror
Petro is a modest farmhand living in an impoverished village in some unspecified long-ago era. He wants to marry the lovely Pidorka, but her stern father won’t hear of it. The mischievous demon Basavriuk, offers a deal, enticing Petro into crime for the sake of fortune. Based on Nikolai Gogol’s short story “The Eve of Ivan Kupala” (“St John’s Eve”) and Ukrainian folk tales.
Steve finds an old Indian Shaman who informs Steve that time is running out and that the evildoer, Natas, will soon return and must be stopped. Steve follows the map and uses the magical necklace the Shaman gave to him to seek out and stop Natas. After one visit to a ghost town with Zombies, Steve returns with four friends to prove the existence of this town and to help him find and defeat Natas.
Is Emma a voyeur vampire who can turn into a bat? Apparently, and she leaves many smiling faces on her victims after going down on them during a full moon. When they’re not having sex with their suspects, two cops investigate the murders.
Alice, a mild-mannered librarian, has a bizarre secret: once a month she turns into a werewolf. Struggling with her affliction, she becomes involved in a strange triangle between her analyst and another man who may be the key to salvation.
Having been adopted by the madam of a southwestern brothel, a now adult Adrian must cope with the fact that he’s Satan’s kid, and not living up to his expectations. Sequel to Roman Polanski’s 1968 film but unlike the original, this one has little connection with the novel the first film was based on.
Brocani conjures together all your favourite European cultural and historical myth figures in order to attack the centuries of ‘sublimation’ that have produced our cities and their inhabitants. The gang’s all here: Frankenstein’s monster gropes towards the awareness that his mind is a universe; Attila, naked on a white horse, liberates his people from their ignominy; the ultra-caustic Viva bemoans the frustrations of married life and drifts into the elegiac persona of the Bloody Countess Bathory; Louis Waldon is a hip American tourist searching for the (missing) Mona Lisa. The range is extraordinary, from stand-up Jewish comedy to a kind of flea-market expressionism. Brocani’s approach is contemplative rather than agitational, which confounds the impatient; Gavin Bryars’ lovely Terry Riley-esque score matches the ambience exactly.
11-year-old Nick moves into a large old house with his sisters Jennie and Clare, left in the care of Helga the Swedish au pair while their parents are away in America. Nick is unhappy at his new school, where he is befriended by a boy named Sam and intimidated by scripture teacher Mr. Crabb, who is interested in the occult and demonology. Nick hears voices in the house and receives messages on his computer screen; he also suffers inexplicable blisters on his feet and grazes on his elbows and knees. When he dreams of burning and wakes up in a bed full of ashes, Nick tells a psychiatrist that he feels he is possessed by a demon.