Widowed farmer John Webb has been depressed since the death of his wife Bessie. He would like to keep his yearly harvest going, but getting low on funds he has some hard decisions to make concerning his farm.
Tag: 1990s
Three short films depicting life in women’s prisons are compiled in this anthology. Iris is a mother who’s suddenly sentenced to prison on drug charges, forcing her to leave her young son with her sister to raise. Rhonda and Nicole are recently incarcerated women coming to grips with prison. From her jail cell, Loretta is unable to help her daughter, who is locked in an abusive relationship.
This biopic centers on Knut Hamsun, a celebrated author in his native Norway. When fascism sweeps through Germany in the 1930s, the writer shocks his countrymen by allying himself with Hitler. Hamsun’s wife, Marie , also joins the Nazi cause, and goes so far as to tour in Germany, hosting public speaking engagements in the country. After the war ends, the author and his wife are further vilified in Norway, and ultimately sentenced for crimes against the state.
The story of Benvenuto Cellini (1500-1571), a soldier and one of the most important craftsmen and artists of Renaissance Italy, whose life was marked by many achievements and adventures, but also crimes.
The movie follows the perspective of several characters (such as Japanese victims, soldiers, American prisoners of war and others) and how they lived or tried to survive the effects felt during the aftermath of the Atomic Bomb dropping by the Enola Gay at Hiroshima, during World War II.
Acclaimed British filmmaker Peter Watkins collaborates with twenty-four students from the Swedish Folk High School in Biskops-Arno to craft this highly unconventional look at the life of controversial 19th Century dramatist August Stindberg. An iconoclast who flouted the conventions of then-contemporary society to promote political and social change, Stindberg and his freethinking followers were considered outcasts whose revolutionary ideas posed a great danger to the standards of society. By purposefully structuring his film in a carefully layered, spiral manner, director Watkins aims to reflect the filmmaker’s admitted concern over the influence of mass media while simultaneously suggesting ways in which that same media might share its unique power with the people in the not-so-distant future.
Afro Promo is a feature-length compilation of one-of-a-kind, archival coming attractions trailers from black films of the 1940s, ’50s, ’60s and early ’70s. This historical overview scans the social issue films, plantation dramas, and African safari movies of the 1950s and ’60s, blaxploitation, music and sports biographies, and other genre examples of the ’70s, as it tracks the burgeoning careers of such popular stars as Sidney Poitier, James Earl Jones, Billy Dee Williams, Bill Cosby, and Dianna Ross. Entertaining and educational, Afro Promo provides a compact glimpse at the representation of African Americans through thirty dynamic years of American cinema history.
Franta Louka is a concert cellist in Soviet-occupied Czechoslovakia, a confirmed bachelor and a lady’s man. Having lost his place in the state orchestra, he must make ends meet by playing at funerals and painting tombstones. But he has run up a large debt, and when his friend, the grave-digger Mr. Broz, suggests a scheme for making a lot of money by marrying a Russian woman so that she can get her Czech papers, he reluctantly agrees. She takes advantage of the situation to emigrate to West Germany, to her lover; and leaves her five-year-old son with his grandmother; when the grandmother dies, Kolya must come and live with his stepfather, Louka.