A biographical film, in English throughout, telling the story of film director Sergei Eisenstein (1898-1948) from his childhood in Riga, Latvia to receiving the ‘Stalin Prize’ in Moscow. Based on his own writings, the film uses actual film clips of Eisenstein at various points of his life as well as photographs, illustrations and archival film of a variety of locations around the world. Eisenstein’s talent as a satirical cartoonist and later an artist is particularly highlighted with many photographs of his work.
Tag: 1980s
A quirky, out-of-of place worker at a crucifix factory in the Bible Belt invents a device he claims can show pictures of Heaven. Discouraged and confused by the inability of those around him to see anything but a screenful of static, he charismatically hijacks a bus of friendly elderly people in order to get media attention for his invention.
This is the story is based on an actual incident. Claude Dallas is a man who loves to be free, so he lives in the mountains where he hunts for his food. However, Bill Pogue is a driven game warden, who abhors anyone who hunts out of season. When he catches Claude Dallas doing that; he’s about to arrest him when Claude kills him and the other warden with him. When the man who was with Dallas tells the police what happened, a nationwide manhunt ensues. And there are people who didn’t like Pogue and they hope Dallas is never caught.
Two long-time rival high school football coaches lead their respective teams into battle for the city football championship. However, before the opening kickoff, various students from each school try to do whatever it takes to throw the opposing team off of their game.
A harsh portrait of Turkey, its people and its authorities, shown through the stories of five prisoners given a week’s home leave, and the problems they encounter in adjusting to the world outside.
Mugiko, an 18-year-old attempts to escape her unhappiness with village life by going to Tokyo to live and work in the geisha house run by her aunt. The daughter of a once great geisha, Mugiko is entitled by blood to train in the geishas ancient art of classical Japanese song and dance.
From the Medieval period through the Renaissance, Antoinetta Angelidi’s experimental work of allegories and aesthetic compositions contemplates the treatment and representation of women in Western art, moving through several historical stages and intertwining them with abstract sequences of perceptions, memoirs and varied perspectives, all of this executed with a very theatrical presentation.