When the small town of Minyaka suffers from a drought, a kind and mysterious stranger offers to make it rain by playing his flute; under the condition that he be paid. But after Fluteman makes it rain, and even stops it; the town council, blind by their greed and pride, refuse to pay him. Fluteman stands before the town and warns them of a curse he would bring; and so the next day the school playground fades into silence as all the children disappear into the bush… except one.
Tag: 1980s
1941 was Francis Lee’s first film; CH’AN his last. In between, he became an expert Sumi-e watercolorist and here he combines eloquent ink paintings with masterful animation methods. This film moves through mysterious shapes, takes the viewer on an explosive meditative journey across the imaginary landscapes of his creations.
A look at the filming of the 1953 political drama “Salt of the Earth,” made by artists blacklisted by Hollywood during the McCarthy era. That film’s producer, Paul Jarrico, speaks about his late colleagues, Herbert Biberman and Michael Wilson, and about the Communist scare that gripped the film community in the 1950s.
Maicol, a five-year-old boy largely ignored by his overwhelmed mother Anita, retreats into an elaborate fantasy world inspired by Dune. When she brings him to a train station for a meeting with her lover, he wanders off during the long wait and becomes lost. Immersed in his imagination, he struggles to communicate with the police, who cannot understand his fantasy-driven answers as they try to reunite him with his mother.
The legacy of Franklin D. Roosevelt is detailed on this news TV special by combining present day interviews with historical material. It examines his response to the Great Depression and the radical changes in the role of the federal government under his leadership. Social security, collective bargaining, unemployment compensation and control of financial institutions, all parts of Roosevelt’s legacy are examined.
Without dialogue, but with a lot of music, the film tells the story of four young women who escape from their indifferent parents, lewd teachers, sinister policemen and numerous criminals to form a commune based on the principle: “solidarity between women is powerful” in an abandoned house.
Broadway on Showtime production of a ‘play within a play.’ A little school on the verge of closing decides to stage a benefit performance of a new play. Hilarious hijinks ensue as a talentless cast, an egotistical director, and a very bad play combine. Anyone who’s ever performed in little theatre productions will find this all hysterically familiar and those who haven’t will still have lots of fun. The brilliant performances of Alan Shearman, Diz White, and Ronald House make this a must-see.
Tomek and Gucia are a pair of seven-year-olds. On a beautiful, sunny afternoon, they engage in typical children’s games after school – playing hopscotch and hide-and-seek, doing somersaults on the beater and climbing the wall. But above all, they play with each other – the boy tries to turn the girl into a boy named Piotrek. However, behind childhood games there is something much more serious – the first feeling.
