An early example of computer generated animation; several hundred dots move about the screen according to a set of instructions in a graphics program which were input into a IBM digital computer and coloured by an optical printer.
Tag: 1960s
On this episode of Camera Three, actress Claire Bloom reads poetry. Excerpts include selections from T.S. Eliot, Lord Byron, A.E. Housman, Sir Philip Sydney, William Carlos Williams, Ezra Pound, and medieval carols.
Promising young racing car driver Joe Joe Quillico leaves the stock car racing scene in the United States in order to pursue Grand Prix racing in Europe. After limited success he manages to win the Spanish Grand Prix. His love life however, is much less successful and his winning on the track only serves to alienate the woman he loves – with unhappy consequences.
Three sequences are linked together in this short film by Jean-Marie Straub; the first sequence is a long tracking shot from a car of prostitutes plying their trade on the night-time streets of Germany; the second is a staged play, cut down to 10 minutes by Straub and photographed in a single take; the final sequence covers the marriage of James and Lilith, and Lilith’s subsequent execution of her pimp, played by Rainer Werner Fassbinder.
A woman, Betty, is visited by a cleaning product salesman, Farnesio, the day she is going away on a trip. The salesman stays in the house and as they have some drinks a series of bizarre events occur.
Sándor Reisenbüchler’s animated film of the Ferenc Juhász poem is a magical mythological tale featuring numerous folklore symbols, in which due to the horrors of war and the evil of man the Sun and the Moon vanished from the sky. This visionary film singing of the universal struggle between fairy tale Good and Evil was considered by the director a sort of ars poetica. The film was shortlisted for an Academy Award for Best Animated Short Film in 1969.
A helter skelter of late 60’s counter-culture psychedelia played in two separate screens, images of student riots, drag queens getting ready for a night in town, fires, juxtaposed against swinging hippies, Japanese women casually arranging their wardrobe, people commuting to work, and various cartoon strips, all this played over a collage of news report snippets telling about the Communist threat, radio recordings, Rolling Stones, Japanese pop tunes, and Hitler speeches, while flickering images of fires and disfigured babies flash over the screen now and again. It’s all pretty anarchic and adds up to no concrete narrative but it all makes sense in a purely audiovisual way.