♦♦ Amos Vogel’s “Film as a Subversive Art” ♦♦
In a Refugee Reception Center for migrants in Eisenach, the director gets to know 21-year-old Doris S., who moved to West Germany and returned. When her mother died in 1961, Doris went live with her father. Driven by her desire to see the world, she ended up working as a hostess at the “Pa-pa-Club” at an American army training ground in Baumholder. This film interview tells the story of one person’s fate in a divided Germany.
Gambling syndicate sets out to invade the stock car racing field. Publicity man tries to cause a feud between two racing friends for the sake of the publicity.
Three different episodes with the common nexus of expressing how a situation that seems normal ends up in an outbreak of violence: a father, actor of renown and owner of a luxurious mansion, who fears losing his daughter to an American officer; an adulterous husband, owner of an extensive estate where he breeds fighting bulls, who feels cheated to find that his wife has also been unfaithful to him; a young American traveler across Spanish lands who decides that his trip and that of his companions should not continue.
A paralyzed old man has thought of the perfect blow to steal a stash of diamonds, but to carry it out he needs five partners. After succeeding in the hit the five kill the old man to avoid dividing the loot with him, which unleashes a series of revenges.
Police Sergeant Tom Valens kills a man who pulls a gun on him during a stakeout. But the dead suspect is a respected doctor with no criminal record and the man’s gun cannot be found, and the Sergeant is charged with manslaughter. The Sergeant works to clear his name and determine where the gun went and why the doctor was there at all.
In the heart of London in 1968, the Beat generation of Ginsberg, the Black Panthers and the pop counterculture, three young English men, horrified by the photos of a wounded Vietnamese child, try to understand the spiral of violence of the Vietnam War and to overcome the feeling it gives them. Through songs, testimonies, and public demonstrations, Peter Brook signs one of his greatest works: A satirical film with devastating irony about the absurdity of war.
A seductive and ruthless spy in the service of Germany steals state secrets -including the formula for poison gas- from England and France during World War I. British intelligence, in turn, tries to hunt her down.
It all starts with the Eskimos waiting for the end of the polar night, which is about to give way to the sun. However, on the appointed day, the sun does not appear in the sky. It does not happen the next day. Excited residents turn to the village shaman for help, who deceives the hunters to give him all hunting trophies for shamming, and vilely refuses to help. And then the brave young hunter sets off in search of the sun.
