For any questions or requests you can always find me at rarefilmm@gmail.com. Stay tuned for those new movies! Thank you once again for all the love and support and thanks a lot to everyone who keeps spreading the word about the site, the rarefilmm community is truly amazing, I'm very grateful for all your love and support 
Sam, a recovering alcoholic, feels dissatisfied with his life of sobriety and goes back in search of the good times he enjoyed with his wino friends on “the Nickel” of Los Angeles’ skid row.
rarefilmm | The Cave of Forgotten Films Posts
An uncompromising look at the ways privacy, safety, convenience and surveillance determine our environment. Shot entirely at night, the film confronts the hermetic nature of white-collar communities, dissecting the fear behind contemporary suburban design. An isolation-based fear (protect us from people not like us). A fear of irregularity (eat at McDonalds, you know what to expect). A fear of thought (turn on the television). A fear of self (don’t stop moving). By examining evacuated suburban and corporate landscapes, the film reveals a peculiarly 21st century hollowness… an emptiness born of our collective faith in safety and technology. This is a new genre of horror movie, attempting suburban locations as states of mind.
Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the “forest.” There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York “underground scene” who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus’ Prometheus Bound, finds the personalities of his characters to have a timeless universality.
Don Owen’s groundbreaking short drama tells the story of two young women who go to the city to work in a dress factory, and who share a room to ease their expenses and their loneliness. The film shows the currents that brought them together and the facets of their natures that first made them seem compatible but eventually drove them apart. Their story reflects, to a degree, the situation of anyone who has ever shared the life of another.
Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government — where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free-market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.
This documentary outlines the ways in which British policies during the First World War have contributed to the instability of the Middle East region today. Through never/before/seen documents and photos, we look at the secret agenda of the British government in WWI and its unfortunate aftermath.
Siss and Unn are two 11-year-old girls. An alluring contact develops between the two girls, a relationship filled with dawning anticipation and a tacit longing for warmth and tenderness. One evening they meet, and for the first time in their lives they are thrown into a strong emotional confrontation. The next day, Unn is unable to meet Siss again. Instead, she ventures alone into the cold, lonely winter landscape.
Nearly a decade before data confirmed that children of lesbian mothers thrive, this groundbreaking documentary showcased this vital truth. Shot largely in Los Angeles and the San Francisco Bay Area, the film explores the diverse experiences of eight families facing custody battles, legal scrutiny and widespread societal bias. Through tender interviews and intimate footage with the parents and, most poignantly, their children, this documentary offers a heartrending portrayal of parental love, challenging stereotypes and normalizing an exceedingly valid family model.