Bob is an aging thief who has seen better days and is battling both an addiction to heroin and a growing gambling problem. But he still thinks he has one more big score in him and plots a massive heist of a Monte Carlo casino. In order to pull off the theft, he’ll need an amazing team of accomplices and will have to outwit his nemesis, the local police chief. The chief knows that Bob is up to something, but can he figure it out before Bob makes off with millions?
Tag: UK
This film celebrates the life and work of one of Cornwall’s best-loved artists, Alfred Wallis (1855-1942). We’re invited to look afresh at his paintings in light of the land and seascapes that inspired him. Reminiscences by friends and relatives are the focus rather than appraisal of his work by an authoritative art critic – aptly enough for an artist who worked outside the ‘establishment’.
In London’s Soho, Johnny Solo runs the Pink Flamingo Club. He’s tough to intimidate. So when he starts getting threats and demands for protection, he fights back. Behind the takeover plot is a competitor, Diamonds Dielli. Midnight Franklin, who’s Johnny’s girlfriend and one of the club’s headliners, wants to get Johnny out of the business. In the background are a sadistic client, an underage chorus girl, a wisecracking siren who’s not averse to rough trade, a visiting journalist, and a dancer who guards her past. Can Johnny win the struggle with Diamonds, and can Midnight get him out of harm’s way?
Roger Graef and The Thaldomide Society’s groundbreaking film about Brett, a boy born without arms, introduced the plight of Thalidomide children to the world. We see touching and personal scenes from his home life – rough and tumble with his brothers, meal times and other practical activities, revealing Brett’s extraordinary dexterity with his feet and his determination. Brett’s mother’s deeply personal narration describes how family life has been affected and how hurtful people’s comments can be – both to her, as a mother who took thalidomide, and in relation to Brett’s physical appearance.
Leading statesmen, generals, terrorists and others who made the headlines in one of history’s most bitter and enduring struggles tell the story of the Arab-Israeli conflict in The 50 Years War: Israel and the Arabs. Opening with the U.N decision to partition Palestine in 1947, the program charts the ensuing half-century of enmity, warfare, mediation and negotiation.
A man and a woman meet in Vienna in 1970 and remember together the events of 1919, when they were separate patients of Sigmund Freud. One was suicidal after a lesbian affair, the other unable to love except without sex. They discuss their memories of Freud and his analysis of their problems. These memories from 1919 are shown in flashbacks.
Nazis are sent to guard an old, mysterious fortress in a Romanian pass. One of them mistakenly releases an unknown force trapped within the walls. A mysterious stranger senses this from his home in Greece and travels to the keep to vanquish the force. As soldiers are killed, a Jewish man and his daughter (who are both knowledgeable of the keep) are brought in to find out what is happening.
HOBO is a travelogue of sorts, a portrait of life lived by homeless men on and off the railways in America. John T. Davis spent three months travelling on the boxcars with his principal subject, Beargrease, who each year leaves his home to ride the rails and scavenge for food. It is a world mostly populated by men, many of them ‘misfits’, who for various reasons find life on the margins of settled society easier than being a part of it. The film confronts the romance and mythology created by the many songs about life as a hobo, but finds romance and beauty in the landscapes of the American west.