Antonioni had a long fascination with India which gave way to this 1977 short capturing the country’s most important Hindu festival, Kumbha Mela, during which millions of worshippers gather to pray where the Ganges, Jamuna and Saraswati rivers converge. The film material remained unused until 1989, when Antonioni was convinced to edit it and to present it at the Cannes Festival.
Satyajit Ray’s short film Two shows an encounter between a child of a rich family and a street child, through the rich kid’s window. The film is made without any dialogue and displays attempts of One-upmanship between kids in their successive display of their toys. The film portrays the childlike rivalry with the help of world of noise and that of music.
In his debut feature film, Kumar Sahahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.
Krishna alias Kris Sahani lives in New York, U.S., but decides to travel to his homeland in order to act in a movie. While Ricardo Fernandes leaves Sydney, Australia to travel to Bombay in search of his missing brother, Roger. And finally, Zeres Mistry, from London, England, also travels to Bombay to find his true love. The paths of all three Non-resident Indians cross in the taxi ride to Colaba, and they decide to stick together in their search for an apartment.
A documentary which captures scenic views and sounds in the valley of Kashmir.