The day that Pier Paolo Pasolini was killed, Glauber Rocha decided to make this film about the life of Christ in the Third World. Starting from a dialectical synthesis between capitalism and socialism, and a search of interracial relationships in Brazil, Rocha created a work of religious and prophetic tone that results in a kind of bewilderment contemplative, now lyrical, now frantic, soaked in a new messianism. In his last film, the director proposed a tune of sounds and images that build a picture of Brazil and a portrait of himself.
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This little-seen gem by John Ford tells the story of a thoroughbred largely through the point of view of the horse, who casts her animal gaze on the troubled family of Southern aristocrats who own, sell, and eventually reclaim her, as her colt becomes a futurity winner.
The first feature by Andrzej Żuławski immediately established his emotionally charged, fast-and-furious style. Drawing from the biography of his father, particularly his experiences in Nazi German-occupied Poland, the film follows a fugitive whose reality implodes when he witnesses the murders of his family, propelling him into a nightmarish world filled with doppelgängers, fluid identities, pervasive dread, and an enigmatic Nazi vaccine laboratory. In all its fantastic and macabre glory, The Third Part of the Night is a delirious portrayal of the chaos wrought upon the psyche by the horrors of war, and one of the most remarkable directorial debuts of all time.
In a routine look at what it means to finally leave adolescence behind — even in one’s mature years — this series of mood swings and sequences focuses on two grown men. Francois and Leo are old friends, and at one point they decide to go out and search for one of their childhood buddies, the brunt of several of their practical jokes. In true form, the men opt for playing yet another practical joke on their friend, but their plans backfire when his wife Helene comes into the picture instead. Her presence forces them to reconsider their shenanigans in a new light.
A little manikin (made of a few twists of stubby wire) juggles balls around him, always preferring the biggest and brightest and overlooking a plain white one, the oddball. It is only when the other balls turn fickle and elude his grasp that he discovers the worth of the little white ball.
Affectionately known as “Smithy”, Sir Charles Kingsford Smith astonished the world in 1928 with his pioneering Trans Pacific flight from America to Australia. He went on to establish Australian National Airways and set many air distance and endurance records. Director Ken G. Hall’s last feature film is a gripping and inspiring tribute to a national hero and his fellow pioneers. Contributing to the stunning aerial shots, Smithy’s famous plane, the Southern Cross, appears in what was to be its last flight. Released in 1946, the film was a smash hit and achieved worldwide recognition.
In the mad morning rush, five-year-old Junior is constantly underfoot, then for a little nothing his father flies into a temper and as punishment Junior is sent to the bathroom for a few minutes. During this period of solitary confinement the boy’s imagination is let loose and a whole story begins to take shape in his mind in which finally he forgives the adults who are angry at him for no reason whatsoever. György Palásthy’s classical family movie looks as though it was made directly for the retro-wave of the future: from the bagged milk to the bubbling coffee-maker, everything is included that was part of everyday life from decades earlier while it takes us on a colourful trip back in time through the streets of seventies Budapest.
New York City custodian Daryll Deever is a big fan of local news reporter Tony Sokolow, so he is intrigued when she shows up to cover a story at his workplace. There’s been a murder in the office building, and Tony suspects that Daryll may have insight into the crime, a notion that he furthers to stay close to her. However, when those behind the killing begin to think that Daryll really knows something, they target both him and Tony to keep their secrets hidden.