Never released in America, Petri’s second feature displays the same evocative mix of realism and symbolism found in THE LADY KILLER OF ROME. The film stars Salvo Randone as Cesare, a lonely Roman plumber in his early fifties. Traveling by tram one day, he witnesses the sudden death, by heart attack, of a man his own age. The event shocks him into the realization that his own days might be numbered, and he becomes determined to make the most of the time he has left. Quitting his job, he sets out with enthusiasm to enjoy the finer things in life, but the effort only leaves him dispirited and disillusioned.
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Described by Meredith Monk as a “memorial piece for a world at war” and an “opera in three movements,” Quarry is a typically difficult-to-classify multimedia piece by Monk, combining dance, song, film, and theatrical performance. Set during World War II, Quarry is told from the expressionistic perspective of a sickly child (played by Monk), whose idyllic domestic life becomes increasingly distorted and terrifying as news of the world enters her home and reshapes her imagination.
Jo is a creative girl bound for art school who enjoys practicing her skills by reproducing famous paintings by Vincent van Gogh. While she’s working on one such picture in public, a stranger purchases some of her pieces. Initially overjoyed, Jo becomes distraught when she realizes her artwork is making millions on the black market. As Jo and her best pal, Felix, try to track down the pictures, they get some supernatural help from Van Gogh’s ghost.
Yoshishige Yoshida’s first feature follows the lives of young students against a background of jazz, emptiness and boredom. The plot is fairly simple: a “good-for-nothing” from a poor background falls in love with the young secretary of his rich friend’s father. The woman senses good in him and tries to lead him on the right path.
A harshly sensual world in the fiery inferno of Hell. Big-breasted tailed demoness & demons whose tails are phalluses strut, rut, reproduce, nurse, & generally show off amindst the flames. An angelic prostitute confronts God.
Ondine and Sally Dixon “star” as ecstatic 19th-century lovers in Roger Jacoby’s first home-processed film. Nickelodeon imagery, school children of Pittsburgh, and the Pittsburgh Botanical Conservatory.
The story is set between the two World wars. The Topalovic family consists of five generations of males, with the youngest one aged 25 and the oldest aged 150. Conflicts break out in the family because the youngest member refuses to carry on the morticians’ trade, which for decades, from generation to generation has been his family’s occupation. The manufacturing of coffins is more and more lucrative, new technologies are introduced, burials are faster and easier, the era of crematoriums is here. But the youngest member of the family, Mirko, is not interested.