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Horty, a French foundry worker, wins a contest and is sent to see the sailing of the Titanic. In England, Marie, saying she is a chambermaid on the Titanic and cannot get a room, asks to share his room. They do, chastely; when he awakens, she is gone, but he sees her at the sailing and gets a photo of her. When he returns home, he suspects that his wife Zoe has been sleeping with Simeon, the foundry owner. Horty goes to the bar, where his friends get him drunk and he starts telling an erotic fantasy of what happened with him and Marie, drawing a larger audience each night.
Tag: FRANCE
“Maine-Ocean” is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi’s client).
In 1616, a Flemish town is thrown into turmoil by news that the Spanish army will arrive within an hour. The cowardly men are of no help, so the women hatch a plan to avoid violence by charming the occupiers with their feminine wiles.
The eponymous heroine, played by Danielle Darrieux, is the potential bride of playboy Marcel. He wants to marry her to land an inheritance. Marcel’s plans are blown to bits when Amelie falls in love with a dashing prince.
Hoping to make a fresh start, Léo, a jazz musician, takes up temporary residence with his friend Bony, a young writer who is struggling to get his work published. One evening, Léo strikes up an acquaintance with a woman taxi driver, Cora; in spite of her impulsive and moody temperament, he cannot help being attracted to her. When Bony meets Cora, he too finds her irresistible, but he lacks Léo’s self-confidence to make his move. Cora is not a woman that any man can possess readily. She is like a wild animal, a creature that revels in its freedom. Will either Léo or Bony be able to tame her…?
Léon, a humble civil servant, has the unusual ability to walk through walls, however thick they are. One day, he falls madly in love with a charming hotel thief by the name of Suzan. In order to impress her he poses as Garou-Garou, a dangerous gangster. Mistaken for him, he is arrested and sent to jail but he, of course, leaves his cell (and comes back to it) just as he likes, infuriating the prison warden. But, despite this wonderful gift, he remains shy in the presence of Suzan.
When he learns that his friend Xavier has been arrested for murder, ex-gangster Roberto La Rocca comes to Marseilles to avenge him. He confronts gang boss Villanova who framed him.
Clive Langham spends one tormenting night in his bed suffering from health problems and thinking up a story based on his relatives. He is a bitter man and he shows, through flashbacks, how spiteful, conniving and treacherous his family is. But is this how they really are or is it his own vindictive slant on things?