In its sixty-five minutes, Paz Encina’s first film, carries Ramón and Cándida, an aging couple living in the deep country, from sunrise, when they hang their old hammock between two trees in a clearing, to sunset, when they take it in. Settled in its tenuous grasp, they talk about the heat, the rain, the dog that won’t stop barking, the war, and their son, Máximo, who is doing his military service and hasn’t been heard from lately. The father lives in hope, the mother in fear, and scenes of their daily rounds of labor and rest—images of a contemplative pictorial exaltation—are joined by voice-over flashbacks revealing the story of their son’s departure and the rumors that followed.
Tag: FRANCE
CIA agent Derek Carpenter is dispatched to Peru to track down former revolutionary-turned-drug lord Luis Montana. Once there, matters become complicated when he becomes embroiled in a turf war between Montana and another faction led by the seductive Elena, and doubly so when he falls for Montana’s daughter.
Os Mutantes examines the lives of three kids in their early teens who have rejected life in juvenile homes or with foster families to take their chances on their own. They drift into petty crime and are exploited by sexual predators; the two boys end up working in a pornographic film, while Andreia becomes pregnant.
Anne-Marie, a well–off young woman, decides to become a nun, joining a convent that rehabilitates female prisoners. Through their program, she meets a woman named Thérèse who refuses any help because she says she was innocent of the crime for which she was convicted. After being released from prison, Thérèse murders the man she feels is responsible for her imprisonment and comes to seek sanctuary from the law in the convent. Anne-Marie clashes with her sisters and elders over her zealousness to reform Thérèse, who manipulates and antagonizes her.
Along a railroad in the south of the former Zaire UN troups discover a few thousand refugees from Rwanda. The camps for the survivors are being massacred a little later on April 25th 1997 by the so-called liberating rebel army of the new “Democratic Republic” of Kongo – and nobody has seen this in the evening news.
French documentary on the world of a brain-damaged, physically-handicapped child confined to a wheel chair, unable to speak but trying desperately to communicate with his nurse and the other children in the hospital. It chronicles his friendship with another youngster even more crippled than himself, their joy in being together, their little spats and, finally, the termination of their friendship by death. Directed by Pierre Jallaud, it is a remarkable achievement, treating its subject creatively yet with complete integrity. There is no commentary, no dialogue, only the natural sounds of the children and their environment.
An intimate portrait of actor-writer-director John Cassavetes and a loving tribute to his genius for studying and depicting the human character. In-depth, candid interviews with his wife and muse Gena Rowlands as well as his most trusted friends and co-workers like Peter Falk, Ben Gazzara, Seymour Cassel, etc. Clips from Cassavetes’ greatest films, and many rare photos illustrate this touching documentary.