The daily lives and routine of 37 families living in a huge 12-story building in Copacabana, Rio de Janeiro: their drama, aspirations, intimate revelations, loneliness, dreams…
José Mojica Marins, a director of horror films about the diabolical Coffin Joe, is spending Christmas with friends. Household members go violently mad for no reason: first grandpa, then the hosts’ daughters, one of whom, Vilma, is about to get married. Mojica discovers that Vilma’s mother made a pact with a witch in order to become pregnant with Vilma, promising this first-born child to Satan; her impending marriage to a human is stirring up things supernatural. It what seems like a dream, Mojica enters a bacchanal in which an entranced Vilma is about to wed to Satan’s son; the master of ceremonies is none other than Coffin Joe. Can Mojica defeat his own creation and save Vilma?
The uncommonly sexy, clever and ambitious slave Xica Da Silva won her independence and much more in mid-19th-century Brazil by using her feminine wiles and her lovemaking prowess to induce the Portuguese town governor to grant her freedom. In so doing, she became a legend and an inspiration to Brazil’s large population of slaves and (eventually) ex-slaves. This film tells her story.
Reporter Goncalves exposes the developing hypocrisy of a new state rising out of the ruins of WW III amidst the desolation of the Brazilian countryside. From the remains come Rocha and mother de Alencar in search of food. To get it, they pose as peasant Indians who, in the new society, are now the privileged minority.