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Seven Women, Seven Sins represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world’s most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.
Tag: BELGIUM
Malpertuis is the name of an old, rambling mansion which is in reality a labyrinth where characters from Greek mythology are imprisoned by the bedridden Cassavius. He manages to keep them (as well as his nephew and niece) prisoners even after his death, through a binding testament. As Jan, the nephew, unravels the mystery, he discovers that he cannot escape the house because Malpertuis is far more significant than he was led to believe.
Mathias is a Belgian linguist, living with French theatre producer Anne. After a quarrel about moral questions, they take a train to attend a congress. While Mathias sleeps, Anne disappears. The train stops in the middle of the country and Mathias gets off the train with an older man, Hernhutter, and a young one, Val. The train moves off without them being able to catch it up. They will find a village, but cannot get any help because they do not understand a word of what the inhabitants say…
——UPGRADED——
This bracing World War II epic was the film that brought Verhoeven to Hollywood’s attention. It follows a group of college friends through the Nazi occupation of Holland, as two becomes heroes of the resistance movement, while another turns traitor. As usual, Verhoeven’s moral ambiguity and skewed sensibility keep things complicated: far from a patriotic flag-waver, Soldier of Orange is as knotty, subversive, and gonzo as war movies get (witness the hero performing a homoerotic tango), while demonstrating Verhoeven’s ability to balance action with involving human drama.
A young and hapless Antwerp thief, working for a gang led by leather-clad Philippe Clay, quarrels with his boss and kills him during a fight. Enlisting his sister’s help, he tries to get rid of the body in the harbour, – attracting the attention of a night watchman who seeks to profit from the situation.
Somewhere between Woody Allen and Freud, between documentary and fiction, Histoires d’Amerique conjures up the destinies of several generations of Jewish immigrants in New York.