Three ‘Bukowskian’ torrid nights in the life of a man in search of love. Harry, 12, is young and naive. Love, for him, is romantic love between princes and princesses demurely kissing each other on the mouth. His father is a hero who kidnapped his mother and married her on a lonely mountain peak – Later on, he’ll do the same. But Harry has a lot to learn. He also learns that there are handsome men and ugly ones, that love can be unfair. That one can find comfort in drinking – but above all he learns that man is capable of anything – absolutely anything. – to get his fair share of love.
Tag: BELGIUM
In this bold documentary Marie Mandy asks the question: how do women directors film love, desire, and, especially, sexuality? In rare interviews with many of the leading women directors working in the world today, FILMING DESIRE directly engages the sexual politics of cinematographic choice.
A comedy short in which a young woman has her clothes stolen at the beach, and needs to get hold of something to cover herself without being seen.
Set in Antwerp, Belgium in the early 70s, Left Luggage tells the story of Chaja, an impetuous, liberal-minded philosophy student. She has a complex relationship with her parents, who both survived the Nazi concentration camps. She needs money so she gets a job as a nanny for a Hassidic Jewish family whose world is completely alien to her liberated lifestyle. She becomes close to their son and through this relationship learns about the lives of her own parents.
In Violin Fase, Eric Pauwels twirls the camera around the body of dancer and choreographer Anne Teresa de Keersmaeker. Through this process, Pauwels creates a new relationship between camera and dancer, but also between body and dance, dance and cinema. Consisting of a geometrical and minimalist choreographic structure filmed in four uninterrupted takes, the artist’s camera captures a woman dedicated to exploring the boundaries of physical exhaustion.
In one of the first postwar films in Yiddish, director Samy Szlingerbaum retells the story of his childhood through his parents’ immigration to Belgium after WW2 and their subsequent failure to adjust. Stunningly photographed, Brussels Transit weaves together haunting footage of postwar Brussels with astounding black and white photography, offering an emotional journey into one family’s poignant longing for a sense of home alongside European Jewry’s overwhelming isolation after the War.
October 5, 1974, on Santa Fe Street, in the suburbs of Santiago de Chile, Carmen Castillo is wounded and her partner, Miguel Enríquez, head of the MIR, dies in combat. Calle Santa Fe is the journey that Carmen undertakes for her history, for the history of the country and the MIR. A painful but restorative search, traversed by the obsession of knowing whether or not the acts of resistance of his colleagues from the MIR were worth it, whether or not Miguel’s death was felt.
This is the definitive visual record of the rise and fall of Joseph Désiré Mobutu, ruler of Zaire (the Congo) for over 30 years. Drawing upon 140 hours of rare archival material found in Kinshasa, and 50 hours of interviews with those once close to him, Mobutu, King of Zaire tells the story of the man at the heart of Central Africa’s post-colonial history.